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Archive for July 2017

Free PDF Walt Disney Uncle Scrooge And Donald Duck: "Return to Plain Awful" (The Don Rosa Library Vol. 2) (The Don Rosa Library), by Don Rosa

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Walt Disney Uncle Scrooge And Donald Duck:

Review

“Whether you’re a little kid reading the book for its humorous adventures or a grown-up comics enthusiast availing yourself of a great curated collection, you’ll find Plain Awful to be anything but.” - J. Caleb Mozzocco, School Library Journal“The work itself remains essential: More than 'just' a Barks homage, Rosa carried the Good Duck Artist’s legacy into legitimately new territory, exposing and massaging the pathos and wicked humor at the core of every good nostalgic exercise.” - Tim O'Neil, The A.V. Club“…Rosa is so sincere in his desire to revive Barks's style of adventure and humor it shows in every panel, every detail of his work. He's taking this seriously, folks, and its all there. … Good stuff, sez I.” - Jerry Beck, Cartoon Research“I love [Don Rosa's] body of work. I've bought it multiple times. I'll be happily buying it again when Fantagraphics reprints it this fall. Love, love, love.” - Augie de Blieck Jr., Comic Book Resources“On the short list of comic book creators responsible for genuine masterpieces of the medium, Don Rosa‘s name is pretty darn close to the top. ... In his time on the Ducks, Rosa was responsible for over 80 stories that include some of the best comics of all time...” - Chris Sims, ComicsAlliance“In the handsome reprints of Uncle Scrooge and Donald Duck: The Don Rosa Library, ...cartooning journeyman genius Rosa displays his penchant for turning out issue after issue of globetrotting adventures… The work is more than deserving of a collection centered on the work of a funnybooks auteur…” - Aaron Ragan-Fore, Eugene Weekly“Rosa's comics may be the best comics ever done in the voice of another creator. They're very funny, satisfying yarns, and this presentation -- particularly the color -- is super-handsome. This would have been my favorite book ever at eight years old, and I'm fond of it now.” - Tom Spurgeon, The Comics Reporter“Let me be perfectly clear: The Don Rosa & Carl Barks Duck books are as good as comics get. Period. Nothing surpasses -- only matches -- the pure imagination, humor, adventure, and heart of these Donald Duck & Uncle Scrooge stories.” - Vince Ostrowski, Multiversity Comics

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About the Author

Don Rosa, (born June 29, 1951) lives near Louisville, KY. Famed for his prizewinning Life and Times of Scrooge McDuck, Rosa wrote and drew a whopping two decades’ worth of ripping Scrooge and Donald yarns!

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Product details

Series: The Don Rosa Library (Book 2)

Hardcover: 216 pages

Publisher: Fantagraphics; 1 edition (November 16, 2014)

Language: English

ISBN-10: 1606997807

ISBN-13: 978-1606997802

Product Dimensions:

8.8 x 0.8 x 11.3 inches

Shipping Weight: 2 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

29 customer reviews

Amazon Best Sellers Rank:

#116,791 in Books (See Top 100 in Books)

Ah! Memories.These stories are all from the late eighties, early nineties, and I remember almost all of them (to varying degrees).This time around I enjoy them just as much, and some even more, as the past 20 years has added to my cynicism of the human condition (as satirically portrayed by Ducks, Dogs and Pigs).In fact one of the best Scrooge stories of all time is in this volume, "His Majesty McDuck". It alone is worth the price of the book.But while the content is definately "5 Star", I have only given it "4 Stars" because of the shoddy binding. I bought 2 copies and they both have the same problems. The bottom of the spine is badly buckled, and the cover print is coming unglued from the board binding.

You should buy this Volume set just because it has "On a Silver Platter". Which is one of the greatest comedy comic shorts ever written in my personal opinion! Buy this one and move right on to Vol 3!

Luxurious binding, great paper, vivid colors, author comments, extras. A must have for Don Rosa fans!

Don Rosa has some great stories to tell and this edition is presented very nicely.

Not the Scrooge, Donald, Huey, Dewey and Louie that you think you know from Duck Tales. Good story telling and adventures. Seriously, check them out.

I gave this to my grandson and he likes it so much he keeps rereading it

Brings back memories of my youth. My favorite comic book.

I am a avid collector of Don Rosa, Carl Barks and Patrick Block Disney Ducks art - these reprints are fabulous and very well priced - I have bought all of the FANTAGRAPHICS Disney Ducks and the Floyd Gottfredson Mickey Mouse reprints too. These are highly recommended by SBJ

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Ebook Download Telling Truths in Church: Scandal, Flesh, and Christian Speech, by Mark D. Jordan

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Telling Truths in Church: Scandal, Flesh, and Christian Speech, by Mark D. Jordan

From Publishers Weekly

The secrecy and cover-ups in the priestly pedophilia scandals are a symptom of the Catholic Church's wider suppression of discourse about homosexuality, according to this heartfelt but occasionally tumid book. Gay Catholic theologian Jordan (The Silence of Sodom) argues that the Church "solicits same-sex desire, depends on it, but also denounces it and punishes it." The Church's "ways of silencing disruptive truths" function mainly at the rhetorical level, Jordan feels, where open discussion of the Church and homosexuality gets dismissed by officials as anti-Catholic prejudice or scandal-mongering. In the same vein, Jordan asserts that disputations of homophobic Church doctrines are self-defeating. Instead, gay Catholics should deploy more visceral rhetorical styles-testimonials by gay priests, "provocative analogies" between the Church and secular gay sub-cultures, even satire-to get the Church to acknowledge what Jordan sees as its blatant homoeroticism. The exploration of new discursive modes by gay Catholics can also enrich Church teachings. Gay and lesbian fiction and poetry might clarify Church theology about same-sex unions, while frank consideration of the body (specifically, the genitals) of Christ might lessen "sexual shame" and enlighten Christians about the sanctity of eroticism. Jordan's call for truth-telling about the Church's relationship with homosexuality is provocative, but his insistence that language and rhetorical style matter more than Church doctrine or governance distances him from what many feel are the most crucial issues in that debate. His own discursive style, combining theology with critical theory, wavers between elegance and abstruseness. This feels more like a series of meditations (the book is based on lectures Jordan delivered) than a volume likely to spark productive debate. Copyright 2003 Reed Business Information, Inc.

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Excerpt. © Reprinted by permission. All rights reserved.

Chapter OneTelling Truths in a "Church Crisis" What you are reading began as a series of lectures delivered in Boston a few months into the "Catholic pedophile crisis." The crisis (to stay with that cliché for a moment) was provoked when the Boston Globe reported how the local archdiocese handled priests accused of pedophilia. The topic for my lectures had been set about a year earlier. It brought together questions I had been writing on for a decade. I had no idea that the topic would coincide with such painful months in the history of Boston"s Roman Catholic churches—indeed, of the Catholic Church in America. Still, when the Globe stories began streaming out in early January 2002, I decided to leave the lectures exactly as they were originally conceived. I was convinced that Catholics were obliged especially in those months not only to speak about what had happened, but to try to say how things might be done differently. We were obliged to think precisely about which kinds of truth needed telling and how best they could be told into a "crisis," if they could be told at all. Even under that conviction, delivering the lectures was not easy. Many in the audience were angry and heartsick from the shock of the daily revelations. What would tomorrow"s newscasts bring? Would the priest of their parish or a childhood pastor be the next one exposed? Was the archbishop staying or going? Where was the pope in all of the turmoil? There were darker fears as well. Some people saw the growing press coverage as the latest round of anti-Catholic politics, the Globe"s revenge on not only Cardinal Law but the city"s Irish establishment. Others worried that the crisis revealed the perilous vulnerability of churches to press attack. Others still were overwhelmed just by the suffering—of the boys or young men who had been sexually abused; of their parents and families; of parishioners whose lifelong confidence in their church was bitterly contradicted; of priests who had not committed abuse and were in danger of unjust suspicion; even of the priests who had committed abuse, but who were still human souls in need of forgiveness. I was and was not an outsider in Boston. I didn"t know the archdiocese, but I did know the story. In July 1997, I had watched on local television as a Dallas jury made history. Its members assessed $119.6 million in damages against the Catholic diocese of Dallas for "gross negligence" in failing to discipline a pedophile priest. The judgment set a record for cases of clerical abuse and so earned stories in USA Today and the New York Times. There was even a passing mention by Dan Rather. Like so many Catholics living in Dallas, I had been caught up in the case for weeks. The jury"s finding came in a civil trial of eleven cases involving Fr. Rudy Kos.1 The cases accused Kos of having sex with a number of boys from 1981 through 1992 when they were between nine and sixteen years old. Ten of the plaintiffs identified themselves as victims of Kos"s abuse. The eleventh case was filed by parents of a young man who killed himself in 1992 at the age of twenty-two. In testimony, the young men still alive described various sexual acts that Kos performed on them hundreds of times. (One of the macabre sidelights of the trial was watching the staid local newspaper trying to hint, say, at the mechanics of foot fetishism.) Lawyers for the plaintiffs then showed that the Catholic diocese had been warned of Kos"s activities with boys at least as early as 1985. The Catholic diocese finally sent Rudy Kos for treatment in 1992, but while misleading parishioners about the real reason for his absence. The diocese continued to support Kos for another two years, not least by paying off $25,000 in credit card debt. The issue in the Dallas civil trial was not whether Fr. Rudy Kos had forced sex on the boys. The question was whether the diocese was liable for allowing him to continue doing so. The jury agreed unanimously that the diocese was liable for between 85 and 50 percent of the real and punitive damages in each of the cases. Although the Catholic bishop of Dallas professed deep sorrow over what happened and eventually ordered special prayers and fasts, he wouldn"t, of course, admit that he or any other official had been negligent. Some priests were bolder in defense of clerical privilege. The head of diocesan fund-raising, later removed, suggested that pastors should begin transferring assets to get them beyond reach of a settlement. A former chancellor of the diocese, who failed to act on numerous complaints against Kos, and who was almost cited for contempt of court during the trial, told the Dallas Morning News that the victims" parents were really the ones to blame: "It doesn"t appear they were very concerned about their kids." I watched the verdict live on a local broadcast that scorched July afternoon. There was a fat file of news clippings beside me and tablets full of notes. I had no financial stake in the outcome, but I was caught up in it. I had once taught at a local Catholic university and its affiliated seminary. In my first year there, I taught Rudy Kos. Kos was enrolled in a remedial course designed to cram seminarians with whatever minimum of "Scholastic philosophy" church officials then demanded of future priests. Kos explained that he was taking the course under duress. Eight years older than me, he was struggling to change over from nursing to the dusk-lit labyrinths of Latin theology. His struggles were typical of too many "late vocations"—men who entered inflexible seminaries after starting careers elsewhere. And not only careers. Kos had already been convicted of sexual abuse as a juvenile. The diocese claimed not to have known about it. It did know that Kos got a brief marriage annulled, since the diocese itself managed the annulment procedure. The ex-wife later swore that she had reported that Kos had "a problem with boys." The diocese denied. So, what was new in the "Boston scandal"? There was nothing new in the cases themselves or the archdiocesan response to them. The pattern of abuse and cover-up was queasily familiar. What made Boston different was the extent and persistence of the national press coverage. The Kos case had flickered across the national media, but it remained essentially a local story. The cases in Boston and the responses to them became and stayed national news. Because national coverage lasted so long, the American hierarchy and the Vatican itself were finally compelled to respond. Then both the coverage and the cardinals began shifting the questions toward priestly sexuality in general. Suddenly, there was a huge and serious audience for talk about the number of gay priests in the church and what it might mean. Before the "Boston scandal" began, Catholic bishops didn"t often talk in public about homosexuals in the priesthood. When pushed, they might admit that there were a few of "them"—perhaps "2 percent," certainly fewer per capita than in the general population. By the time the American cardinals were meeting in Rome about pedophilia, the president of the American bishops" conference found himself admitting that it was "an ongoing struggle" to ensure that the priesthood "is not dominated by homosexual men."2 Newsweek devoted several pages of its cover story to "the gay dilemma."3 The coverage shifted for a while from particular cases and responses to institutional distortions. What was new about Boston was that the story was suddenly not just about Boston. It became for some time a scandal about the system of seminary formation and priestly discipline, of official speeches and their anxious silences. The persistence of national press coverage was not all to the good, of course. Much of it was sensationalism. It rehearsed unwittingly the old satirical complaints according to which all priests are gay and (therefore?) sexually voracious. Other publicized debates showed the ignorance of church history that is the bane of the mass media—and of contemporary Catholicism. Splashy graphics on magazine covers or websites asked whether the church could survive, as if the Roman church hadn"t ensured its survival in the face of much more threatening "crises." On the other side, well-groomed defenders of clerical bureaucracy could somehow still assert that the church had always fully cooperated with local authorities. As if the churches hadn"t resisted over centuries any interference of secular authority with priestly discipline—and as if the Vatican weren"t still claiming preemptive jurisdiction of cases involving priestly sexual relations with minors.4 The persistent news coverage reactivated powerful hate speeches inside and outside the Catholic Church. Church officials rolled out familiar accusations against homosexuals not only to legitimize a purge of "out" gay men from the priesthood, but to divert attention from aching institutional failures. Some outside the church got to rehearse the old stereotypes of Catholicism as a cult of idols run by demonic deviants. Everyone got to hear homosexuals repeatedly confused with pedophiles, "molesters," and "perverts." I had my own small role in the coverage, both before and after delivering the lectures in Boston. Sitting in TV studios waiting for a "discussion" or being filmed for a momentary clip on the evening news, I kept wondering how anyone could speak truth into this cacophony. I was grateful to the news coverage for bringing forbidden questions into discussion. I was horrified at what the coverage was doing to our languages for speaking about priestly abuse, its real causes, and its practicable remedies. Before we could get any further, we would have to think more critically and more creatively about how to speak the truths we all professed to want "on the record." I began by remembering the most easily forgotten thing: truth telling is not simple. It is not like the Norman Rockwell painting in which a ruggedly handsome white man, whose plaid collar is literally blue, speaks to the town meeting at his white clapboard church, while other white men, wearing ties, listen in admiration.5 Truth telling isn"t like that. Truth"s speakers don"t often radiate handsome honesty. They are disconcerting and diverse rather than comfortably familiar. They are rarely received with admiring attention. And what they have to say can seem beyond hearing—or bearing. Then I remembered something equally obvious: there are different kinds of truth, and each requires its own ways of speaking and listening. Leaving aside the more spectacular rhetorical flights in the scripted point–counterpoint of the national press, I tried to list the kinds of truths being offered around this scandal. It had begun with truths in files, the truth of documents and legal proceedings. Complaints were filed against a priest, and investigations followed. Settlements were arranged, and then the priest was transferred. These are the sorts of actions documents record, but only in a shorthand punctuated by silences. Some documents are saved, others not. Some letters are full and frank, but other letters are carefully plotted after long conversations that don"t survive in the files. Legal pleadings, depositions, and verdicts are the products of staged recital and negotiated "facts." Documents are traces of events, but they are also elements in an official story. No matter how many revelations they seem to make, documents in personnel files or court records also record decisions not to reveal, to stick by the agreed story. The "Boston scandal" began as well from the memories of abused children and adolescents. News reports tried to capture the content of these memories and to show something of the pathos in them. We have heard the desolate stories told on screens by trembling faces. The truth in them is at once so compelling and so elusive, so urgent and so reticent, that it cannot be captured by tape. The memories are traumatic memories, and trauma chops itself into memory by chopping up memories. I don"t discount the testimonies of abuse as untrue. They are probably the truest words we have heard in the scandal. Still, their truth is not a truth of numbered propositions. It is the truth of an unclosed wound. The scandal turned then toward the truths of institutions, of the regulations, customs, and fictions that enable the Roman church to operate. It has been hard to hold this kind of truth in view for more than a few instants, because so much of the reporting has wanted to hurry past it to policy proposals or predictions of outcomes. Institutional truths are more complicated than single policies or brash predictions, but they are also more important. Complicated and important—how do we begin to describe them? Do we need ethnographers and anthropologists to narrate for us how the cultures of the Catholic priesthood are lived out? Should we turn instead to institutional sociologists or legal historians or cultural critics? If the most hidden truths in the scandal are truths about clerical institutions, what is the expertise that could even begin to tell them? The expertise used to be called "theology." Since the institution in question is not just any human complex but rather a Christian church, and since Christians profess that their churches are not merely human complexes, Christian theology ought to have something to say about how to tell truths in a crisis that now reaches into the core structures of the institution. Yet, theology has been notably absent in the scandal. Some people classified as theologians, including myself, have been invited to speak—in the short snippets required by our media. I"m not sure that what we have spoken is theology. To say that more personally: although I think that I managed to say a few true things about Catholic institutions in the course of dozens of interviews and not a few op-ed pieces, I don"t think that I ever managed to move my words into the realm of theology.6 I understand by theology taking mature responsibility for the indispensable forms of Christian speaking. This shouldn"t mean that theologians usurp responsibility for what others have to say, either by appropriating it or censoring it. The theologian is asked to take responsibility for her or his own speaking in those forms. Responsibility has to be taken in the presence of scriptures and traditions, face to face with the ablest speaking partners, before the challenge of holiness, with a special trust (badly translated as "faith"). It also has to be taken through the indispensable forms. At its best, theology is not divorced from the rest of Christian speech. It is not like a superlanguage that judges every other language. Theology is more like a new grip on language, a more supple and more deliberate handling of it. The theologian takes new responsibility for speaking in the confidence that Christian speech has already been used for proclaiming a revelation, for performing sacraments, and for efficacious prayer. Language has been sanctified. We ought to be able to use it to tell sanctifying truths—which is not the same as telling "the whole truth and nothing but the truth." Taking responsibility for speech requires being especially responsible for its inevitable failures. Sitting on newsroom sets or waiting while reporters typed in what they heard of my hasty responses to rushed questions, I remembered finally that I should have expected special difficulties when trying to speak a few words of theology into a scandal about sex in the priesthood. Sex has always been a nervous preoccupation for Christian speaking. It has provoked some of the angriest theological words, as it has excited some of the most violent theological passions. At the same time, and not coincidentally, sex has seemed to threaten the authority of Christian speaking. Trying to speak truth about a churchly sex scandal—or trying to speak the truth about sex in church—or trying to speak what churches might be after some honesty about what sex is . . . these efforts lead us right to the most awkward tasks of the speech called theology. In the brief chapters following, you will read some parts of the original lectures I delivered in Boston. Mostly, you will find my third or fourth attempt to deliver them better. While rewriting, I have kept the conviviality and casualness of the spoken word.7 You will hear the places where the pressure of the "Boston scandal" pushed on the lecturer and the audience. Most of all, I hope that you can catch an effort to find a way of speaking theology into institutional "crisis." In part, this will mean figuring out how to talk when so much talking has been distorted by the powerful motives of institutions in conflict. For the most part, it will mean searching for ways to enliven the oldest speeches Christians have.

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Product details

Hardcover: 121 pages

Publisher: Beacon Pr (June 1, 2003)

Language: English

ISBN-10: 0807010545

ISBN-13: 978-0807010549

Product Dimensions:

5.8 x 0.5 x 8.8 inches

Shipping Weight: 10.2 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#636,279 in Books (See Top 100 in Books)

This review appeared in White Crane Journal #60, Spring 2004The evocative—and provocative—title of this book, almost by itself, calls out to the reader to pick it up and find out what the “truths” are. And the exercise would be more than successful, though it turns out the “truths” Jordan is talking about are not a series of literal propositions, but an attitude to openness to human life--and especially the passion of human life called eros.Mark Jordan is a professor of religion at Emory University in Atlanta. He’s made himself a reputation for challenging naïve assumptions about the veracity of Church teachings, especially about sexuality and homosexuality. His previous book The Silence of Sodom: Homosexuality in Modern Catholicism opened with a meditation on daily life around the Vatican that—truly—should be required reading for all Catholics. In that meditation, Jordan posed the question: what if the Holy Spirit reveals to the Pope and Vatican officials that the Church’s position on homosexuality is in error? How would the Pope or the Cardinals ever manage to bring themselves to talk about this realization during the morning meetings? At every stage, they’d be frightened of revealing too much about themselves (and maybe their previous night’s indulgences). No one would be able to broach the subject.With similar awareness of how the inertia of orthodoxy prevents honest discussion, Telling Truths in Church describes the difficulties of creating modern, sensitive, psychologically aware theologies of sex. And yet it is incumbent on the Church to do so; changes in culture, developments in reproductive biology, not to mention scandals involving priestly sexual behavior, require religious institutions to evolve and update the expressions of doctrine. And yet they are generally loathe to do so. And, in fact, usually satisfy themselves with reiterating what they claim to be age-old, immutable orthodox truths. The condemnation of modern homosexuality is a standard in this enterprise. Now the one man-one woman theology of Christian marriage has become another. Yet the “truth” is that the styles of marriage have changed dramatically over the thousands of years of Judeo-Christian practice. And Jesus himself was hardly an advocate of heterosexuality and the modern nuclear family.This brief, but packed, little book is based on a series of lectures Jordan gave at Boston University, and the rhetorical style sometimes shines through most pleasantly. You can almost him the passion and innocence in the author’s (gay male) voice behind the written words. Coincidentally, the priestly pedophilia crisis, starting in Boston, broke just shortly before these lectures were to be delivered. Telling truths in—and about—the church suddenly took on new meaning. Pedophilia and gay marriage are major examples of how Church “truths” are shaped and sometimes corrupted to fit political realities. The Church, after all, has its own survival and organizational maintenance to look out for. We’ve all observed how blaming the homosexuals is a convenient way to redirect attention.Jordan’s discussions of these issues are fresh and insightful. He generally avoids the political and theological rhetoric, observing that the usual arguments obscure the actual human and personal issues involved. He writes, for instance, of the two men or two women who come to the Church to seek and declare God’s blessing on their commitment to one another, only to be turned away because of political strategies and institutional quarrels that have nothing to do with the love and faithfulness the two of them feel and trive to strengthen. (Jordan makes the astringent observation that it is not the priest or pastor today who determines the style and iconography of marriage, but rather the wedding planner, followed closely by the photographer, florist, and caterer.)Perhaps the most interesting section of the book is a treatise on “apophatic theology,” that is, the tradition that nothing can really be said in total truth about God and God’s reality because anything about God is necessarily beyond human thought. Talk about God is really always talk about humans and their concerns and conflicts.Frankly, I’d go a step further than Mark Jordan does and challenge the “lies” the Church and religion tells about the factuality of religious doctrines, especially afterlife. Threats of hellfire are used to manipulate human behavior in ways that our modern psychological awareness now shows us are truly morbid and crazy-making. The suicide bombers in Israel who think they’ve earned their way to deflower seventy virgins is but a notably contemporary example. The homosexuals burned at the stake down the centuries must not be forgotten when we evaluate the “truth” of Christian teaching. But most importantly delaying “heaven” till after death is literally closing the gates to the realization of divine presence in this life here and now that Jesus had tried so hard to open.This is a lovely book. It—truly—got me thinking. It’s challenging, but eminently readable. You’re likely to come away from it wishing you’d had a pastor more like Mark Jordan.Reviewed by Toby Johnson, author of Gay Spirituality: Gay Identity and the Transformation of Human Consciousness, The Myth of the Great Secret: An Appreciation of Joseph Campbell and other novels and books

To those who have not yet read it, Mark D. Jordan's "Telling Truths in Church" may seem like a reaction to (or even an exploitation of) the Catholic Church scandals revolving around priestly abuse and its cover-up. But in fact, Jordan's slim but crucially important volume is actually the transcript of a series of essays that were prepared before the scandals started to hit the media.This is not to state, however, that the scandals have nothing to do with the topics Jordan addresses. It is Jordan's contention that speech in the Christian churches (and Jordan refers not only to the Catholic Church but to other Christian churches) has become narrowed and self-censored in such a way that it has seriously compromised the Churches' ability to speak truthfully about people's lives and faith experiences.In a series of essays, Jordan discusses several topics: Church reform, Christian marriage, the practice of theology, and Jesus Christ as a fully human and sexual being. Jordan asserts that the Churches fail in speaking truthfully about these topics, and also that the Churches try to silence or discourage additional points of view that speak to the range of human experiences not addressed in "official" speech. To put it more simply, current Church talk doesn't give us the whole story, and it's up to us as people of faith to speak up and fill in the missing pieces.Jordan's book is full of insights and observations that make it ideal for public discussion or private, prayerful reflection. The book is particularly important in an age when the task of theology is often misunderstood: some Church authorities, with the current emphasis on "obedience," feel theologians should supply believers with authoritative propositions to be memorized, rather than questions to help guide our reflection on God's mystery. As Jordan states in the concluding essay, "obedience [should] mean not that you take as true whatever you are told, but that you commit yourself to consider carefully what is said to you." In other words, the lived practice of theology--the process of "telling truths"--becomes a loving task for all believers, not just for leaders who think they have all the answers!

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Free Download King Lear (Shakespeare Classics Graphic Novels), by Gareth Hinds

Free Download King Lear (Shakespeare Classics Graphic Novels), by Gareth Hinds

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King Lear (Shakespeare Classics Graphic Novels), by Gareth Hinds

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King Lear (Shakespeare Classics Graphic Novels), by Gareth Hinds

About the Author

Gareth Hinds says he sees the graphic novel form as "a perfect bridge between the printed word and theatrical performance." He lives in New York City and writes graphic novels full-time.

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Product details

Age Range: 12 - 17 years

Grade Level: 7 - 9

Series: Shakespeare Classics Graphic Novels

Paperback: 128 pages

Publisher: Candlewick; First Candlewick Edition edition (October 13, 2009)

Language: English

ISBN-10: 0763643440

ISBN-13: 978-0763643447

Product Dimensions:

7.9 x 0.4 x 10.9 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

9 customer reviews

Amazon Best Sellers Rank:

#121,904 in Books (See Top 100 in Books)

I'm so glad my professor assigned this, it helped me understand the play better and introduced me to graphic novels.

What a great job communicating this masterpiece.

My son loved this graphic version of King Lear, and was lucky to have it signed by the author, who visited his school!I highly recommend all of Gareth Hinds graphic novels.

Excellent introduction for middle school or reluctant high school students.

King Lear, derived from the legend of Leir of Britain, a mythological pre- Roman Celtic king, was one of William Shakespeare most famous tragedies.This dismal story is about a king who descends into madness when his life transforms from good to bad fortune due to his own misjudgment and we largely see how betrayal and revenge ensue throughout the kingdom.The story begins with King Lear deciding to divide up his realm amongst his three daughters. His two oldest daughters Goneril and Regan flatter him and are given their portion while the youngest daughter Cordelia does not resort to conniving and is disinherited and her portion split amongst the other two.To make a lengthy play much briefer I'll only hint at some of the scenes.After the defeat of the invading French army, Cordelia and Lear are taken, prisoner, meanwhile, sister's Regan and Goneril act in a cruel and capricious manner and eventually, they tussle over the evil Edmund. In a rage, the Duke of Albany ( Goneril's husband) demands that Edmund and Goneril be arrested for treason.Before Edmund is arrested, Edgar shows up and stabs his evil brother, and Goneril poisons Regan prior to committing suicide. Edgar reveals his identity to Gloucester who dies shortly thereafter. Albany and a dying Edmund try to prevent Lear and Cordelia being hanged but are too late for Cordelia. After Cordelia's death, a visibly shaken Lear carries her corpse in his arms.If you are familiar with Shakespeare plays you will know that he uses figurative language and metaphoric reflections.The storm on the heath is a reflection of King Lear's state of mind and also the kingdoms downward spiral of wickedness and despair.I truly appreciate that Hinds creates his imagery for this classic using a medium of technical pen and watercolor as it helps fuse a sense of anarchy.The ink and watercolor appear to be applied initially with lighter value and much of the heavy dialog is intact and included in a myriad of speech balloons. Additional washes are added to show an intensification of color or to strengthen shadows with loose marks.I thought the page where waterdrops are staining the cheeks clever as the speech balloon cascades down and across the page much like a waterfall or tear would. And I found the mixture of lead gray to vibrant red easing into a heavenly blue, tarnishing to a page where we see the wash of dull gray to be crafty.These colors emerge and contribute to our sensing Lear's state of disorder. His anger and torment at the turmoil of what transpired is clearly visible and eventually, we see his acceptance of grief.We know that the deep sorrow of what Lear ensued overwhelmed him for so long - he eventually dies and the kingdom is left to the Duke of Albany and Edgar to preside over.

I only needed this for class

King Lear is a tale about a king who is slowly descendinginto madness. The King decides to divide his kingdombetween his three daughters, but instead of splitting thekingdom equally, Lear uses a more unique way. Lear tellshis daughters whoever loves him the most will get thelargest part of the kingdom. Goneril and Regan both telltheir father that they love him more than anything in theworld, while Cordelia answers the question honestly,enraging her father. The stage is now set for the schemesand plotting for old King Lear's throne.Shakespeare's plays are hard to read as normal plays. ReadingKing Lear in graphic novel format was much easier. Even though someof the speeches were shortened in the novel, it still hadthe Shakespearen feel. The artwork in King Lear is ratherstunning. It shows the setting and reflects King Lear'sstate of mind. It is also easy to identify characters bythe colors given to them in their clothing. I feel thatreading King Lear is much easier to read in this formatthan reading it from a book.Reviewed by a young adult student reviewerFlamingnet Book ReviewsTeen books reviewed by teen reviewers

Shakespeare is, of course, the backbone of many literary studies. But is there a way to add something fresh and new to the works of the ancient bard? Gareth Hinds has created the graphic novel interpretation of one of Shakespeare's greatest plays, KING LEAR.Although the presentation may be unique, the story holds true. The great king is dividing his realm. Three daughters will receive three portions, but each must prove herself worthy.Lear's sanity is in question as he makes his demands known. The raging king could very well destroy his kingdom as he tests his descendants' loyalties.The talent of Gareth Hinds is clearly evident in this graphic-style depiction of KING LEAR. The plot comes through loud and clear as each drawing captures both characters and emotion that words alone on the page often miss. Readers who find Shakespeare a difficult read might want to give this creative presentation a try.Reviewed by: Sally Kruger, aka "Readingjunky"

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Product details

File Size: 3624 KB

Print Length: 102 pages

Publisher: Darby Creek TM; 1 edition (August 1, 2013)

Publication Date: August 1, 2013

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B007TXDJJU

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#389,613 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

My son said he really liked the book -- and he's not easy to please when it comes to books!

Josh Higgins was a bookish nerd and the perfect target for bullies like Bert Claypool and his gang. Josh's head was filled with stories, stories that won him awards at school. Naturally he was a teacher's pet because they all loved guys like him. Not Bert. When Bert went after him at the mall his kid sister stepped up to the plate to rescue him. "Hey, bug off, slug face!" It was totally embarrassing to have Maggie help him out. Worse yet she yelled at him too. "How come you can write about big brave heroes, but can't act like one!" On the way home after Josh and Maggie kept seeing flashes of blue appearing in the woods. It seemed like there were some blue guys stalking them. What the heck was going on?It didn't look like a very promising day, but once they got home he had some time to think about his next writing project to enter in the yearly contest. Miss Jordan was counting on him to come up with another winner. "Danger on Yastol" was a huge hit and was an award-winner. Things always seem better after a good night's sleep and Josh only had to put up with his kid sister and her acting group. Maggie was going to ream him out after the rehearsal, but all of a sudden the blue guys showed up. To his surprise they "were tall, flat, and fearless." They weren't there to act in any play and meant business when they asked him to take them to Yastol to mine some aafth. One of them claimed that "We need aafth for our weapons. For our spaceships ... enough to give us power to conquer the galaxy." The unimaginable had come true. Josh's book had turned to reality and he and Maggie were going to be in deep trouble ... in Yastol!This is an exciting sci fi adventure of Josh, a young writer who suddenly finds himself living in his own book. He finds himself having to do some quick thinking when he meets up with his own characters. Some like Prince Izor are nonthreatening, while others like the slave traders are villainous. I enjoyed the wide variety of imaginative critters like the "grey-green riding beasts," but my favorite was Leggy, a polka-dotted "dit-dit." Young readers will enjoy this foray into the unknown world of Yastol. The read is quick, light, fun, and would be perfect for the reluctant reader or one who enjoys quirky sci fi adventures. Mike Gorman's inimitable illustrations definite add character to to the weird, wild world of Yastol and all its inhabitants.This book courtesy of the publisher.

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PDF Ebook Food Medication Interactions 17th Edition

PDF Ebook Food Medication Interactions 17th Edition

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Food Medication Interactions 17th Edition

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Food Medication Interactions 17th Edition

Product details

Series: Food Medication Interactions

Spiral-bound: 410 pages

Publisher: Food Medication Interactions; 17 Edition edition (March 29, 2012)

Language: English

ISBN-10: 0971089655

ISBN-13: 978-0971089655

Product Dimensions:

6.2 x 1 x 6.8 inches

Shipping Weight: 1 pounds

Average Customer Review:

4.7 out of 5 stars

46 customer reviews

Amazon Best Sellers Rank:

#80,989 in Books (See Top 100 in Books)

I really like this book.It was exactly what I was looking for.The pharmacology info is a bit scanty but I have a Davis Drug Guide to supplement it. There are also a few drugs that need to be added.This book is a great reference for ht/wt charts and all the additional info it contains.I appriciate that it gives info on IV drugs.I will say that for the price this book is very flimsy and will not hold up well if you carry it around in your pocket.The spiral binding is sturdy plastic but the cover and pages are very thin.In spite of this I still rate it a five because it is full of very useful info and is a great reference for patient teaching.

I have purchased every one of Pronsky's FMI books since her first was published. My work as a clinician depends on accurate, objective and up to date information and this is it. I tried other similar food-medication interaction sources and none is was simple to use nor as respected in the profession. I found little difference between the 16th and 17th editions and still use both. I do miss having the electronic updated version. I also miss Zaneta, and good friend, a respected, generous and knowledgeable professional. May she RIP.

I bought this book to use during my dietetic internship. The book is easy to use as a reference, and has a fairly comprehensive medicine list. There are a few medications I had to look up via the internet, but otherwise the book was great. In the long run, I did find it easier to search for most information regarding medication information online. However, it offers detailed information that may be difficult to find online.Overall a great resource that comes in handy.

I have a lot of allergies to different foods what makes my life difficult by itself. Most certainly I want to avoid compounding my problems with medicine-food interaction. I review carefully all the possible interactions listed in the book not only with the prescription medication I am taking but with over the counter drugs as well: namely Tums and Aspirin.

Great resource to have for a nutrition student or professional working day to day.

Very easy to use. This was super helpful during my dietetic internship. I also love the chart to help understand labs in it. If you are spending the majority of your dietetic internship in a clinical setting you will find this book very beneficial.

These are required for most DI interns, but with new drugs coming up all the time, it's already out of date. Handy though when you can't get the Internet on your phone to look up a drug due to the thick concrete walls in hospitals.

I just returned to a part-time clinical position in my semi-retirement and found that I needed to purchase this reference again. Years ago, I relied on it heavily for my assessments and found that it is still the best tool available for clinical dietitians for checking food medication interactions.

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Slovensko - Slowakei - Slovakia

About the Author

Karol Kállay is one of the most significant representatives of Slovak photography, having worked in the fields of fashion, journalism, and landscape portraiture. He is the author of Franz Kafka and Prague, Impatience, and Los Angeles. He contributes to various periodicals in Slovakia and abroad, and his clients include GEO Hamburg, Stern Focus, and Spiegel. He is a founding member of the Bilderberg picture agency and a member of the International Federation of Artistic Photography in Switzerland.

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Product details

Hardcover: 128 pages

Publisher: Slovart Publishing, Ltd.; 4 edition (April 1, 2012)

Language: English

ISBN-10: 8080855374

ISBN-13: 978-8080855376

Product Dimensions:

9 x 0.6 x 11.5 inches

Shipping Weight: 2.3 pounds (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#2,179,563 in Books (See Top 100 in Books)

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Get Free Ebook My Perfectly Imperfect Life: 127 Exercises for Self-Acceptance (Flow)

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My Perfectly Imperfect Life: 127 Exercises for Self-Acceptance (Flow)


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My Perfectly Imperfect Life: 127 Exercises for Self-Acceptance (Flow)

About the Author

Irene Smit and Astrid van der Hulst are the cofounders and creative directors of Flow magazine, a popular international publication packed with paper goodies and beautiful illustrations that celebrates creativity, imperfection, and life's little pleasures. They both live outside Amsterdam. Illustrator Karen Weening lives in the Netherlands.

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Product details

Series: Flow

Paperback: 176 pages

Publisher: Workman Publishing Company (September 3, 2019)

Language: English

ISBN-10: 1523506369

ISBN-13: 978-1523506361

Product Dimensions:

6.4 x 8.5 inches

Shipping Weight: 1.1 pounds (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#319,519 in Books (See Top 100 in Books)

My Perfectly Imperfect Life: 127 Exercises for Self-Acceptance (Flow) PDF
My Perfectly Imperfect Life: 127 Exercises for Self-Acceptance (Flow) EPub
My Perfectly Imperfect Life: 127 Exercises for Self-Acceptance (Flow) Doc
My Perfectly Imperfect Life: 127 Exercises for Self-Acceptance (Flow) iBooks
My Perfectly Imperfect Life: 127 Exercises for Self-Acceptance (Flow) rtf
My Perfectly Imperfect Life: 127 Exercises for Self-Acceptance (Flow) Mobipocket
My Perfectly Imperfect Life: 127 Exercises for Self-Acceptance (Flow) Kindle

My Perfectly Imperfect Life: 127 Exercises for Self-Acceptance (Flow) PDF

My Perfectly Imperfect Life: 127 Exercises for Self-Acceptance (Flow) PDF

My Perfectly Imperfect Life: 127 Exercises for Self-Acceptance (Flow) PDF
My Perfectly Imperfect Life: 127 Exercises for Self-Acceptance (Flow) PDF