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Free Ebook AMERICAN HERITAGE ESL IDIOMS DICTIONARY (PB)

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Product details

Paperback: 424 pages

Publisher: Heinle; 1 edition (August 2, 2000)

Language: English

ISBN-10: 0395976200

ISBN-13: 978-0395976203

Product Dimensions:

5.2 x 0.5 x 8 inches

Shipping Weight: 9.9 ounces

Average Customer Review:

5.0 out of 5 stars

3 customer reviews

Amazon Best Sellers Rank:

#1,851,671 in Books (See Top 100 in Books)

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Ebook A Night at the Opera: An Irreverent Guide to The Plots, The Singers, The Composers, The Recordings (Modern Library (Paperback)), by Sir Denis Forman

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A Night at the Opera: An Irreverent Guide to The Plots, The Singers, The Composers, The Recordings (Modern Library (Paperback)), by Sir Denis Forman


A Night at the Opera: An Irreverent Guide to The Plots, The Singers, The Composers, The Recordings (Modern Library (Paperback)), by Sir Denis Forman


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A Night at the Opera: An Irreverent Guide to The Plots, The Singers, The Composers, The Recordings (Modern Library (Paperback)), by Sir Denis Forman

Amazon.com Review

As a nuts-and-bolts operagoer's guide, Denis Forman's book is richly incisive. It's equally satisfying as a tart, effervescent take on the solemn world of opera. The author--a British television executive and former deputy chairman of the Royal Opera House--covers most of the likely offerings of your local repertory company, with a few questionable omissions (Peter Grimes) and inclusions (The Threepenny Opera). For each he provides a synopsis, musical highlights, critical remarks, and historical information (the premiere of Il Trovatore: "stupendous"; that of Norma: "a flop"). Another section offers comments on everything from the craze for authenticity to the practice of booing. Forman's opinions sometimes run athwart of convention. Falstaff "has no sex appeal and no heart, and opera demands both these qualities"; Tristan und Isolde is the creation of "the Wagner that liked to spend time stroking velvet." His tone, especially in the synopses, is often evocative of Anna Russell's opera parodies: "It really is too bad of you Tristan to die on me like this. She passes out." The prose can be cute, but that fits Forman's approach of puncturing the inflated atmosphere of opera while glorying in it. Though he is most entertaining when he's daring to shout in church, his enthusiasms are as illuminating as his barbs. "Traviata is the first grown-up opera about contemporary life," he says, adroitly locating that work in operatic history. In Don Giovanni, "Mozart brought terror to the opera stage for the first time." It's the book's greatest pleasure that Forman's passion is matched by his knowledge. --David Olivenbaum

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From the Inside Flap

With an encyclopedic knowledge of opera and a delightful dash of irreverence, Sir Denis Forman throws open the world of opera--its structure, composers, conductors, and artists--in this hugely informative guide. A Night at the Opera dissects the eighty-three most popular operas recorded on compact disc, from Cilea's Adriana Lecouvreur to Mozart's Die Zauberflöte. For each opera, Sir Denis details the plot and cast of characters, awarding stars to parts that are "worth looking out for," "really good," or, occasionally, "stunning." He goes on to tell the history of each opera and its early reception. Finally, each work is graded from alpha to gamma (although the Ring cycle gets an "X"), and Sir Denis has no qualms about voicing his opinion: the first act of Fidelio is "a bit of a mess," while the last scene of  Don Giovanni "towers above the comic finales of Figaro and Così and whether or not [it] is Mozart's greatest opera, it is certainly his most powerful finale."The guide also presents brief biographies of the great composers, conductors, and singers. A glossary of musical terms is included, as well as Operatica, or the essential elements of opera, from the proper place and style of the audience's applause (and boos) to the use of surtitles.A Night at the Opera is for connoisseurs and neophytes alike. It will entertain and inform, delight and (perhaps) infuriate, providing a subject for lively debate and ready reference for years to come.

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Product details

Series: Modern Library (Paperback)

Paperback: 976 pages

Publisher: Modern Library; Revised, Subsequent edition (September 1, 1998)

Language: English

ISBN-10: 0375751769

ISBN-13: 978-0375751769

Product Dimensions:

6.2 x 2.1 x 9.3 inches

Shipping Weight: 2.1 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

61 customer reviews

Amazon Best Sellers Rank:

#84,251 in Books (See Top 100 in Books)

Sir Denis Forman's overview of the masterpieces of world opera is a lively and witty book. His aim is to present the great and most popular works of opera in a humorous and entertaining way and I believe he succeeds brilliantly in this effort. He gives a brief synopsis of each opera, followed by what- in his opinion- are the most significant and important arias in each act of the opera, finishing with his personal opinion and a rating of the importance of each opera. While some may object that his style is overly irreverent and heavy-laden with British slang that may be difficult for some non-Brits to comprehend, all in all I think this is a wonderful introduction to opera for the novice from an expert in the field who knows his stuff.

I appreciate that Forman is trying to make the works accessible to beginners, but when he refers to Ed or Lucy instead of Edguardo or Luciano, I'm having a hard time connecting it back to the CD or program credits I'm referring to.

I have a soft spot for Czech opera, this guy doesn't however. There's a few very popular operas that need inclusion here. The biggest names in Czech music were all deeply involved in opera and it would only take about 3 more entries to do them justice.But to rate the contents of the book, it was a very entertaining, and informative read. As a non-vocal student of classical music, I've only been exposed to opera through small excerpts. I've played many overtures, interludes, suites and some arias, but I'm just starting to appreciate opera as the whole work, from beginning to end. This book filled in a lot of blanks for me while being light hearted and entertaining, whereas a lot of other books on the subject are rather dry.

Just love this book. Am a classical pianist whose love is opera, this sits well on the more humorous side of opera which fills an entire bookcase. I'm having such a good time referring to it now & then & it is indeed "irreverent"!

This guide is one of several books that I purchased to learn about opera (so, beginners, listen up - opera experts go elsewhere). This guide is unique, witty, and entertaining. The "irreverent" style of the synopses is fun at first, but if you read several in a row it can wear thin. Read the synopsis of Adriana Lecouvreur that Amazon furnishes online to see if you appreciate the style - it is fairly typical except that some of the others have more of a British accent. The British slang sometimes goes over my head which means that I miss the point that is being made so cleverly. However, the real plus of the irreverent style is that it helps to cast the story in more contemporary light (which makes suspension of disbelief easier).I like that there are real opinions about the works, not just descriptions. Some guides are so brief and sterile that you don't really get any flavor - not so here, there is flavor everywhere. What you may not be able to tell from the Amazon exerpt is that the four-page synopsis they show for Adriana Lecouvreur is only about half of the coverage of that opera. Following the synopsis is a scene-by-scene description of the action with what to look for at each point, then followed by a news and gossip and a comments section. Very comprehensive. The synopsis is only about half the coverage of each opera. The appendices at the back of the book also are good study material. They include: operatica (an elementary who's who and what's what at the opera house, about 55 pages); composers (brief biographies, about 40 pages); artists (again bios, about 25 pages); and a glossary (about 15 pages).To learn about opera you need several references. This one is so unique that I say you should get it just for variety. Other good considerations: "Opera 101" for the absolutely best overall introductory study of opera in general. "100 Great Operas" for a more garden variety, shorter, simpler, and easier-to-read synopsis of individual operas. I also like the "Rough Guide to Opera". All of these are very different.

At my retirement at the end of 2012, I polled a few of my colleagues to find if any in my Retired Mens Association of about 200 men, would like to learn more about grand opera. We limited the group to the first dozen men, to accommodate the DVD viewing rooms in the homes of our host members. So far we've viewed with great pleasure Donizetti's "L'Elisir d'Amore", Bizet's "Carmen", Mozart's "The Magic Flute", Verdi's "Rigoletto", Puccini's "La Boheme", and Verdi's "Il Travatore". Next month it will be Puccini's "Turandot".. The volunteer host of the month gets to select he opera from a list of operas I've e-mailed that are at our local library. All have English subtitles, so are easily understood. Your book has enabled me in advance to publish a synopsis of each upcoming opera, plus some important facts about its composition, its premiere performance and the audience's reception of it. We e-mail this to each member in advance of the showing, and they bring them with them to enhance our viewings.

I really like this book. I have a hard copy for home and an Kindle version on my smart phone and have bought several copies for family and friends. A great book for learning about operas with a unpretentious and funny viewpoint. Describes the characters, plot, and give reviews of each song in the score. Lots of additional info on the composers. How can you not like a book about an art form with great melodies, words you can not understand (unless you are Italian, French, or German for the most part), and where they can sing for 5 minutes and the translation equates to 'I'm happy' or 'I'm dying'. Read and then listen.

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File Size: 16055 KB

Print Length: 776 pages

Page Numbers Source ISBN: 0735674477

Simultaneous Device Usage: Up to 5 simultaneous devices, per publisher limits

Publisher: Microsoft Press; 1 edition (November 15, 2013)

Publication Date: November 15, 2013

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B00JDMQK1Y

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Based on the earlier Inside Microsoft SharePoint books I expected a lot more but that could be because I have learned so much from the authors and most of the info I have seen before or maybe because the platform has grown to such gigantic proportions that they can't do more than introduce all the various topics. To be fair there probably isn't a way to cover all of the development areas unless come out with a 3 volume set.This book appears almost encyclopedic and casually introduces most topics yet the information is very succinct and to the point. To be honest though I have read about 4 or 5 different SharePoint 2013 development books and none of them go deep into any one aspect of SharePoint development unless the entire focus of the book is on that one aspect of development i.e. workflow or apps. I would definitely consider this book the cream of the crop in terms of SharePoint development books out there.I personally just wish they went more in depth for certain topics and showed why you would use one technique as opposed to another but their goal is to actually introduce all the development techniques as opposed to take subjective sides. All in all, a great book, probably one of the best out there with regard to SP 2013 development. If you are ever in an area where one of the authors are teaching a class I would also recommend taking one of their classes.

Inside Microsoft SharePoint 2013 is well written and well-organised. The authors have a very clear and valuable discussion of the different development tools and when to use which tool. The book is full with important information in its 700+ pages. Before reading this book, you are supposed to know SharePoint in general and also .NET programming. Chapter 14 about ECM is my main interest. The authors describe about overriding the Document ID provider, the first description I have found in a book. But they give no example of implementing multiple ID series. Neither do they discuss implementing Quick Parts so status, version, approver names are automatically updated in a Word document. They do discuss how to use Content Type syndication.Inside Microsoft SharePoint 2013 will save you many hours. So far the best book about SharePoint 2013 development!

My boss recommended this book as we create server side SharePoint applications and I needed to get up to speed quickly. By far, the best book.

Was hopping to read about how to create a standalone HTML project with JavaScript call to RESTful service, but all examples are examples of SharePoint applications, which are to be deployed into SharePoint App Store.Besides it, the book is fine and, probably, worth reading.

Like it's predecessor it is a must read and study from Ted and Team. I very much appreciate the perfect mix of how and why in important topics. Also, very pleased to see Wictor Wilen added to the team as his Web Parts in Action book was among my top Sharepoint 2010 books group.

Very Good Book for learning SharePoint!

This book is highly organized and contains a lot of information about Sharepoint development. I recommend it to new Sharepoint developers. It will help get the new developers on the right way quickly.

Scott is very informative and the book helped me to get my job done. I have used this book and I have also attended lectures from Scott that derive from the information in the book. Both have helped my solve the problems my customer's put in front of me.

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Evel: The High-Flying Life of Evel Knievel: American Showman, Daredevil, and Legend, by Leigh Montville

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“[EVEL] goes beyond the action-figure image, painting Knievel in all his contradictions....Now, in Montville’s capable hands, Knievel soars again in all his profane, self-deluded glory.” – Sports Illustrated“In the late 1960s and early 1970s…the coolest man on earth was Evel Knievel….Leigh Montville brings him vividly back in an outlandishly entertaining new biography.” New York Post“If Knievel lived ‘as if his pants were on fire,’ then his biographer writes like a house on fire…in describing the complex, contradictory stuntman’s battles with the demons that would ultimately destroy him, [Montville] pulls out all the stops.” – The Free Lance-Star “In Evel [Leigh Montville] writes in a florid high style, as if pulling a wheelie across every page. This can be smart, rowdy fun. Mr. Montville tacks the young Knievel to the wall, wonderfully.…He catches the way the wingspans of Knievel’s jacket collars were the ‘same as a good-size pterodactyl…Evel is never dull.” – New York Times“If you were a young boy, like I was, in the summer of 1974, you talked about two things: Evel Knievel…and Hank Aaron…I hadn’t thought much about Evel Knievel in the intervening 35 years until I picked up Leigh Montville’s awesome new biography…you’ll love Montville’s rollicking good tale—told with an Irishman’s wink and a nod—of how Knievel blazed across the American consciousness in the late 60’s and early 70s….Montville nails it just right.” -- The Hollywood Reporter “Montville fully imparts that sense of danger as well as Knievel’s mixture of singularly unpleasant personalities—thief, drunkard, brawler, extortionist, womanizer, snake-oil salesman, all-purpose con man—that somehow only enhance the legend. In the end, readers probably will not love or even like Knievel, but they’ll know the seamier side of the American dream that much better.” Booklist "Bestselling author and veteran sports columnist Montville (The Mysterious Montague: A True Tale of Hollywood, Golf, and Armed Robbery, 2008, etc.) points to the first biography of flamboyant risk-taker Robert Craig Knievel (1938–2007) as a cheaply commissioned, “cockeyed” screenplay (George Hamilton starred, angling for a career revival) based on “a collection of tall tales designed by the man himself to make people perk up and pay attention.” It was 1971, and while the film critically tanked, the publicity skyrocketed Knievel’s his popularity. Montville’s version ably describes his childhood raised by his grandparents in depression-era Butte, Mont., and then as a young, street-educated loner and general troublemaker. Greatly entertaining and anecdotal, the narrative covers the controversial aspects of the high flier’s history, tracking Knievel’s fearlessness as record-breaking smaller motorcycle tricks gave way to power-tripping death-wish jumps marked by countless broken bones, hospitalizations and even a coma—all observed by wife Linda and their three children. Whether cruising the talk-show circuit in a zebra-striped leisure suit, crashing onto the pavement at Caesar’s Palace or serving six months in jail for assaulting an event promoter, Knievel consistently treated his adoring (often aghast) fan base to reckless extravaganzas, increasingly perilous stunts and erratic, unbecoming behavior. Montville confidently narrates Knievel’s daredevilry with characteristic panache and presents his subject as a “one man ethical dilemma” who spent the bulk of his career testing the limits of his physical prowess with an unquenchable thirst for fame and fortune. A biography as sensationalist and superior as the daredevil himself." --Kirkus--Previous Praise for Leigh Montville--“[Ted Williams is] the complete package—a triumph, unreservedly the best biography of this larger-than-life American.”—Boston Globe “It is unlikely that any reader could view Ted Williams as just a ballplayer ever again.”—New York Times Book Review“[At the Altar of Speed is]…both a tribute and a candid look at [Dale] Earnhardt. [Montville] has succeeded wonderfully.”—San Antonio Express“Montville’s solid reporting is augmented by a whimsical style that weaves Earnhardt’s life, racing career, business ventures, and impact on racing fans into a rich tapestry of racing. The book delivers.”—Times Daily “[A] vivid, intimate account. Montville’s unique voice…makes old yarns seem new.”—Sports Illustrated “Montville is a wonderful storyteller and Ruth’s story, from Baltimore street urchin to international celebrity is indisputably amazing…a fascinating tale, alternately happy and sad, and always artfully written.”—Chicago Tribune

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About the Author

Three-time New York Times bestselling author LEIGH MONTVILLE is a former columnist at the Boston Globe and former senior writer at Sports Illustrated. He is the author of The Mysterious Montague, The Big Bam, Ted Williams, At the Altar of Speed, Manute, and Why Not Us? He lives in Boston.

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Product details

Hardcover: 416 pages

Publisher: Doubleday (April 26, 2011)

Language: English

ISBN-10: 0385527454

ISBN-13: 978-0385527453

Product Dimensions:

6.4 x 1.5 x 9.5 inches

Shipping Weight: 1.6 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

61 customer reviews

Amazon Best Sellers Rank:

#158,432 in Books (See Top 100 in Books)

I read this book in hardcopy when first published, and just finished listening to the Audible version. My takeaway is that this is a really interesting biography marred only slightly by the writer’s tendency to sometimes insert too much of his own personality and opinions into what appear to otherwise be accurate reporting of historical events.For anyone who was a kid in the 70s and remembers the cultural phenomenon that was Evel Knievel, this biography offers an exhaustive look inside how that personage was created, and the forces that ultimately lead to the character’s downfall.A few reviews on this site accuse the book of being a character assassination. I don’t agree with that. Most of the events described have a ring of well researched truth. The only problem I had is that the writer tends to phrase things in a slightly snarky way, poking fun at Knievel’s expense. He may in fact be an easy target but that constant hint of sarcasm in the telling of events makes the tale seem a little less unbiased than it would have otherwise.The author also, while generally writing in a very engaging and lively style, has a tendency to insert himself into the narrative through an over use of cutesy phrasing. For example, when recounting a personal event in Evel’s life, he will write along these lines “Maybe he was at a bar in Phoenix. Maybe someplace else.” On the surface that sounds like sloppy research, however I got the feeling the author knew exactly where events happened, and was trying to make the point that it was a repeated behavior that could have happened anywhere. A writing device like that is fine used once. In this book it is used over, and over, and over - to the point I found it a little disruptive to the narrative. The author clearly knows where events happened (or should know).Final note: this book is packed with fantastic research, anecdotes and information. But even at its great length it doesn’t have everything I remember about Evel simply from being alive in the 1970s. Some examples of things I remember that were not mentioned include a proposed weekly half hour prime time fictional TV show, with an actor playing Evel who would be involved in weekly adventures and jumps. This got as far as being cast and a pilot being made. I don’t know if the film still exists but I remember seeing the pilot broadcast on the network, probably in the summer of 1975, as part of a series of unsold TV pilots they aired once to fill space that summer.Not in the book but worth mentioning is also the Saturday morning cartoon “Devlin” which was clearly inspired by Evel Knievel, and what Evel thought about it. And finally, how the top rated TV show Happy Days used Fonzie to parody Knievel’s exploits, not once but twice. Best remembered today is Fonzie’s infamous shark jump. But prior to that, there was a two part Happy Days where Fonzie tried to set a world record by jumping his motorcycle over garbage cans. In true Knievel style he cleared the cans but crashed on the landing ramp and was hospitalized. And in a wicked spot-on Knievel parody, when the father on Happy Days offers to drive the injured Fonz to the hospital in the family station wagon, Fonzie says (I am paraphrasing from a 40 year old memory of the original broadcast): “No, not in a station wagon. I want to go in an ambulance, with flashing lights, and big windows so I can wave to my fans...”

This book was very well written. Even when it got into the technical description and Engineering of things it was still easy to follow and still kept the reader's interest. This is a must-have for everybody who loved Evel Knievel. Makes you want to go back and revisit the 70s for sure.

If Evel was half as bad as described here (there are two sides to every story), then he was still about six clicks beyond textbook narcissist. Except for the pain and strife he caused those close to him, I don't begrudge him this. To do what he did a person has to be a little, no, ALOT whacked. I guess in the measure of a life you have to look at the enjoyment he brought to the larger audience who never met him personally. We spent many hours as kids jumping our banana-seated, monkey-barred bicycles, trying to emulate the version of Evel we'd see that afternoon on Wide World of Sports. Those were golden days. Thank you Leigh Montville for writing a splendid book that allows us to revisit that era.

This book tells about the famous daredevil, Evel Knievel. And it is every bit as colorful, as the man you would see on TV performing some of his death defying tricks. It was entertaining at times and insightful! Warning: There is a lot of obscenity

This is one of the BEST biographies I have ever read, and I've read many. You do not have to be a sports fan or a fan of Evel Knievel. It was entertaining and fascinating, from beginning to end, which I think is rare in a biography. Better than biographies of Jim Morrison or Mick Jagger, or just about any entertainer. What surprised me were the stories from his early days, before he became famous, which can sometimes make the beginning of a story kind of drag, but the whole book was fascinating. Couldn't put it down. Whether you loved or hated him, he was truly an American original. Leigh Montville tells a story like nobody else can.

Having lived during and witnessing Evel's glory days on ABC's Wide World of Sports, his bizarro attempt with bizarro attention given to it to jump the Snake River Canyon and also seeing his sad and quick fall from celebrity to broke background noise I found this book a great read. The author calls it the way I remember it with lots of fleshing out and interesting stories to paint a very complete picture of Mr Robert "Evel" Knievel.Though not explicitly asked of the reader, I believe this book requests the contemplation of what such a person/act like Knievel rising to such fame says about American society and culture. Unless I'm over analyzing but I dont think I am.My only quibble? How can the tale of Evel jumping over a tank of sharks be told, with no mention of the greatest shark jumper of them all (The Fonz) being made?!?!?!

This is a surprisingly well presented tale about one of Butte's strange people. Leigh Montville has fashioned a really interesting tale about the life of Kneivel. Little seems to have been invented to make the book such a good read. I recognize the 50's, 60's in Butte and only just discovered the rest of Evel's adventures in the wider world. I enjoyed this presentation and was surprised to learn that I did.A friend mentioned one name in this book, moments later Amazon had found the book and loaded it to my Kindle. It is a good read!

Great read that tells much of not just the daredevil and public persona, but also of the man behind the scenes.

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Get Free Ebook Practical Method for Beginners, Op. 599: Schirmer Library of Classics Volume 146 Piano Technique, by Carl Czerny

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Practical Method for Beginners, Op. 599: Schirmer Library of Classics Volume 146 Piano Technique, by Carl Czerny


Practical Method for Beginners, Op. 599: Schirmer Library of Classics Volume 146 Piano Technique, by Carl Czerny


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Practical Method for Beginners, Op. 599: Schirmer Library of Classics Volume 146 Piano Technique, by Carl Czerny

Product details

Paperback: 56 pages

Publisher: G. Schirmer, Inc. (November 1, 1986)

Language: English

ISBN-10: 0793525675

ISBN-13: 978-0793525676

Product Dimensions:

9 x 0.1 x 12 inches

Shipping Weight: 2.4 ounces (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

74 customer reviews

Amazon Best Sellers Rank:

#5,726 in Books (See Top 100 in Books)

I am an adult learner who started from ground 0 in piano (and music education) in April of this year (2016). The book I chose to start with was the Alfred Adult All-In-One course Book One. I was really motivated and got to around page 90 of that book in about 3 weeks time. I guess I was trying too hard, my left hand started to hurt. I had to completely stop playing to rest my hand for about 2 weeks. I stopped learning from that book after that, plus I really didn't like the songs in that book. But by then, I had enough of the very basics to be able to learn to play some of the songs in Burgmuller Twenty Five Easy and Progressive Studies. For theories, I studied The Complete Book of Scale, Chords..... I even practiced using the Hanon book. I learned to play the complete Fur Elise (all three sections) to a fairly OK level. All seemed to go OK, until I came upon this new song. I heard on the radio and found the sheet for it. I spent 3 days on it and could not get past the first half page, I was literally mapping out each note to the fingers and was going note by note, finger by finger. Luckily, I came upon this brilliant young concert pianist Yuja Wang. She plays over 100 concerts every year all over the world and there are many clips of her amazing playing on youtube. In one of her interviews, she mentioned it usually takes her 3 days to learn a new concert piece, the kind that lasts 20, 30, 40 minutes. A light bulb went off in my head, she must not be learning it note by note, finger by finger. Long story short, in China, learning to play the piano is very popular. The serious students go through a very thorough training program that usually starts around age 6. The Czerny books are very much part of that regime. It is said if one masters Czerny book 599, followed by books 849 and then 299, that puts the person in the mid level of piano playing. While I will continue to search for more materials to supplement the three Czerny books, I know I am on the right path now. I needed to get through the past 8 months to be where I am today, I consider that pre-learning. The real learning starts with this book. In case anyone is interested, there are complete sets of training video on youtube for this book.

Book was amazing the études were more difficult than I was expecting and therefore provided a fun challenge. I gave the product four stars because of the constant problem with piano books not wanting to stay open. If I were to give it an rcm grade I would say probably a grade 2-4 so the pieces aren't terribly hard for relatively experienced pianists.

I like Czerny because his exercises have more musical value than say Hanon. Sometimes I play them just because they sound nice!

Excellent foundation book for beginner pianists

This is a classic. I bought it to refresh my skills. It is a very logical and efficient method.

These are a series of progressively difficult musical exercises. More challenging that scales and arpeggios. A must for someone who wants to really improve their piano skills. Because of the size of the notes and staff I'd not recommend this for younger children - I get the impression adults are the target audience here.

Love Love Love!

This is a great book for mastering the fundamentals of piano technique. My only disappointment is that at least 33% of the book is in the key of C. I would have liked to see a more in-depth representation of other keys.

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Practical Method for Beginners, Op. 599: Schirmer Library of Classics Volume 146 Piano Technique, by Carl Czerny PDF
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PDF Ebook Adaptive Web Services for Modular and Reusable Software Development: Tactics and Solutions

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Adaptive Web Services for Modular and Reusable Software Development: Tactics and Solutions

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In most cases services that are distributed over the web are in a flexible enough form that many kinds of devices with different platforms can receive them, but sometimes it is necessary to adapt web services for particular situations. Here European computer and information scientists compile the most representative approaches to adapting services without disruption the network as a whole. They cover contract-based adaptation and interoperability, context-aware adaptation, adaptation for composition, dynamic adaptation, and device-based future Internet adaptation. --Annotation ©2012 Book News Inc. Portland, OR

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About the Author

Guadalupe Ortiz completed her PhD in Computer Science at the University of Extremadura (Spain) in 2007. Since graduating in 2001 and for the following eight years, she worked as an Assistant Professor as well as a research engineer at the University of Extremadura's Computer Science Department. In 2009 she joined the University of Cádiz as Professor in the Department of Computer Science. She has published numerous peer-reviewed papers in international journals, workshops and conferences. She has been a member of various programme and organization committees of scientific workshops and conferences over the last years and acts as a reviewer for several journals. Her research interests embrace aspect-oriented techniques as a way to improve Web service development in various fields, with an emphasis on model-driven extra-functional properties and quality of service, as well as service context-awareness and their adaptation to mobile devices. Javier Cubo completed his PhD in Computer Science at the University of Málaga (Spain) in 2010. He has worked both in academia and industry, including The State University of New York (SUNY) (2002-2003), Andalusian Centre of Innovation, Information Technology, and Communications (CITIC) (2004-2006), and Department of Computer Science of University of Málaga (2003, 2006-onwards - as research associate). He has been awarded with two grants: Researcher "Torres Quevedo" Program, Science and Innovation Spanish Ministry and European social Fund (2004-2006), and PhD student - Doctoral Fellowship, Science and Innovation Spanish Ministry (2006-2010), while he has worked collaborating in teaching tasks. He has also got two scholarships as visiting research PhD student at University College London (2008), and as postdoctoral at University of Pisa (2011). His research is focused on the development of formal models in software engineering, specifically in the paradigms of service-oriented computing, cloud computing and component-based software development, applied to context-aware and self-adaptive systems, service composition and reusing in mobile and pervasive systems, and dynamic reconfiguration. He has participated in numerous research projects (national, and international, such as NSF and FP7) and conferences, has published in journals and international workshops and conferences, and has been member of PC and OC, as well as reviewer of several scientific workshops and conferences over the last years.

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Product details

Hardcover: 415 pages

Publisher: IGI Global; 1 edition (September 30, 2012)

Language: English

ISBN-10: 1466620897

ISBN-13: 978-1466620896

Product Dimensions:

8.5 x 0.9 x 11 inches

Shipping Weight: 2.7 pounds (View shipping rates and policies)

Average Customer Review:

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Amazon Best Sellers Rank:

#13,767,587 in Books (See Top 100 in Books)

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Download PDF Organic Embroidery

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About the Author

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Product details

Paperback: 176 pages

Publisher: Schiffer; 1 edition (September 28, 2018)

Language: English

ISBN-10: 0764356135

ISBN-13: 978-0764356131

Product Dimensions:

8.9 x 0.6 x 8.9 inches

Shipping Weight: 1.4 pounds (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

8 customer reviews

Amazon Best Sellers Rank:

#42,698 in Books (See Top 100 in Books)

This is one of the most beautiful of all the machine embroidery books i have read. (And I have more art/fine craft books that wall to wall to ceiling bookshelves have invaded every room in our home. The formal dining room is now a library. Honestly, how many times a year do you use the dining room when the kitchen table/breakfast nook is nearby? My studio is so full of books, there’s hardly have room to store supplies!)Her work is simple, but when finished it’s nearly photo realistic of gorgeous pieces of foliage and underwater wonders. As a fellow SCUBA diver but horrific photographer, I am so grateful she is able to transform those intricate corals and all the other wonders for us to enjoy topside. Her work is truly exquisite.And for those of you that want a technique learning book, she gives step by step instructions in how to do these yourself! Quite frankly, I was willing to keep this book in the “Visual Candy” section alone, so it’s like getting 2 books in one! I cannot wait until she gets old enough that people start doing Artist’s Retrospectives. I can imagine them to be some of the finest.This is an absolutely must buy for anyone who does hand guided machine embroidery or quilting. And many doing electronic machine embroidery would enjoy this is as well as hand embroiders who have been curious what could be done with that old machine of mom’s or grandma stored somewhere. To tell the truth, one of my favorite sewing machines ever was an old, all metal Kenmore with less than 5 stitches and weighed 30 pounds! Not a piece plastic anywhere, even the housing was metal. And there are many that sew avidly as a hobby or professionally that will admit to having an old all metal machine for heavy lifting.My only disappointment was it was not hand embroidered as that’s what I’m focused on this month :) She machine embroiders with such exactness, there are not the telltale loose ‘coloring outside the line’ that is generally associated with machine embroidery that it appears from a few feet away as a very tight satin stitching. It may be a simple process, but it is going to take a lot of work to gain her singular precision. This book is a treasure.

I've always loved Meredith's work. I also do free motion embroidery as one of my techniques... but there's just something about hers that really pulls me in!When I found out she made a book, I jumped on it. I'm so glad I did! It's BEAUTIFUL!I was expecting a "coffee table" book, which it is... but it's so much more! It's also an instructional book.I just love it!

This is a beautiful and informative book! Meredith Woolnough shares her artist creativity in rich detailed photographs and clear, easily understood instructions! As you read through the book, you become aware of how thoroughly she has explored using thread and a sewing machine to create beautiful pieces! Tons of good tips and advice! This has become one of my favorite books on sewing machine embroidery!

I LOVED this book. It's a unique form of embroidery and I felt the advice and info she provided were extremely helpful. Lots of colorful pictures throughout the book.

Great book. She takes you through all the processes used to create these amazong works of art. She also gives you the information needed to try it yourself. The photography is great as well.

Very detailed and informative book. I have been doing this type of machine embroidery for about a year already, and this book showed me some techniques to make it easier. Highly recommend for people who love to work with sewing machines and do free motion quilting

Finally a wonder way to use up my threads of all types.

Good helpful book

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Organic Embroidery PDF

Organic Embroidery PDF

Organic Embroidery PDF
Organic Embroidery PDF