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PDF Ebook The Shot Caller: A Latino Gangbanger’s Miraculous Escape from a Life of Violence to a New Life in Christ, by Casey Diaz Mike Yorkey

PDF Ebook The Shot Caller: A Latino Gangbanger’s Miraculous Escape from a Life of Violence to a New Life in Christ, by Casey Diaz Mike Yorkey

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The Shot Caller: A Latino Gangbanger’s Miraculous Escape from a Life of Violence to a New Life in Christ, by Casey Diaz Mike Yorkey

The Shot Caller: A Latino Gangbanger’s Miraculous Escape from a Life of Violence to a New Life in Christ, by Casey Diaz Mike Yorkey


The Shot Caller: A Latino Gangbanger’s Miraculous Escape from a Life of Violence to a New Life in Christ, by Casey Diaz Mike Yorkey


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The Shot Caller: A Latino Gangbanger’s Miraculous Escape from a Life of Violence to a New Life in Christ, by Casey Diaz Mike Yorkey

About the Author

Darwin “Casey” Diaz is a native of El Salvador and a former gang leader. Growing up on the mean streets of Los Angeles, he was forced to fight for his life. He was eventually incarcerated as one of the most violent criminals in California and placed in solitary confinement. His life was forever changed in that cell when one day God approached Casey in a miraculous way. Upon his release from prison, Casey landed a job making signs and today runs his own company, Cheap Signs. Casey enjoys teaching at church and sharing his story with audiences around the country. Grateful for a second chance at life, Casey is now married to Sana and is the father of three children.

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Product details

Paperback: 224 pages

Publisher: Thomas Nelson (April 2, 2019)

Language: English

ISBN-10: 0785224386

ISBN-13: 978-0785224389

Product Dimensions:

5.4 x 0.6 x 8.4 inches

Shipping Weight: 7.4 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#795 in Books (See Top 100 in Books)

I won’t lie. The night after reading Casey Diaz’ account of life in the streets of LA as a hell-bent gangbanger, I lay awake in my house thinking that I was hearing people breaking and entering. He might have pulled some punches in describes doing whatever he could to show his peers how dark he was. But I think he didn’t pull many.“The Shotcaller” may not be a read for the faint of heart.But it is a read for people with a heart, and a soul. Diaz’ life was supernaturally transformed through the power of some things that many in the 21st century disregard as old-fashioned, or pure myth. The persevering prayer of a virtual stranger. The life’s work of a carpenter born centuries ago in a stable outside of Bethlehem. It takes heart and soul to read an honest man’s account of a supernatural intervention that he was not looking for or planning on or working toward. When a strong man with a strong mind admits to giving himself up to something so real, so powerful, and so foreign to his previous way of thinking and living – and when he tells us of all of the things that started happening in his life, against all hope – maybe we should listen. Today, one of those men is Casey Diaz.This is not the story of a rotten-to-the-core man who one day woke up and decided on his own to turn over a new leaf. This is not a testament to the penal system and its power to transform a life. This is the story of a sinful child who was shown mercy by his supernatural father, who created him and whose love for him was unshakable despite that child’s complete and utter rebellion.Some may find the violence Diaz describes in “The Shotcaller” to be upsetting. But acknowledging the sin may serve to fully illustrate the magnitude of the triumph. And to remind us to be careful in our judgments: no one is beyond the reach of their supernatural father.

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The Shot Caller: A Latino Gangbanger’s Miraculous Escape from a Life of Violence to a New Life in Christ, by Casey Diaz Mike Yorkey PDF
The Shot Caller: A Latino Gangbanger’s Miraculous Escape from a Life of Violence to a New Life in Christ, by Casey Diaz Mike Yorkey PDF

Download Ebook Berlin Book Three: City of Light, by Jason Lutes

Download Ebook Berlin Book Three: City of Light, by Jason Lutes

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Berlin Book Three: City of Light, by Jason Lutes

Berlin Book Three: City of Light, by Jason Lutes


Berlin Book Three: City of Light, by Jason Lutes


Download Ebook Berlin Book Three: City of Light, by Jason Lutes

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Berlin Book Three: City of Light, by Jason Lutes

About the Author

Jason Lutes was born in New Jersey in 1967 and grew up reading American superhero and Western comics. In the late 1970s he discovered Heavy Metal magazine and the tabletop role-playing game Dungeons & Dragons, both of which proved major influences on his creative development. Lutes graduated from the Rhode Island School of Design with a BFA in illustration, and in 1993 he began drawing a weekly comics page called Jar of Foolsfor Seattle’s The Stranger. Lutes lives in Vermont with his partner and two children, where he teaches comics at the Center for Cartoon Studies.

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Product details

Series: Berlin (Book 3)

Paperback: 168 pages

Publisher: Drawn and Quarterly (September 4, 2018)

Language: English

ISBN-10: 1770463275

ISBN-13: 978-1770463271

Product Dimensions:

7.5 x 0.7 x 10.1 inches

Shipping Weight: 1.4 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

4 customer reviews

Amazon Best Sellers Rank:

#156,069 in Books (See Top 100 in Books)

Guess who shows up...

I have been waiting anxiously for Jason Lute's conclusion to _Berlin City of Stone_ and _Berlin City of Smoke_. The final installment was, therefore somewhat of a let-down. Perhaps it is a function of so much time having passed since I last revisited his work, or perhaps it is simply a change in taste, but the artwork seemed more simplistic (maybe hurried?), lacking in detail relative to his earlier work, and the story-lines seemed disjointed._Berlin City of Light_ is set in 1932/1933, the city at the cusp of the Nazi ascendency to power, the Braun family split over their political leanings, in effect a microcosm for Berlin (and Germany.) The attitudes, dialogue and perspectives of the characters needed to be more fleshed out - as it stands, they each seem to be taking and acting past one another, undoing so in a rather shallow fashion - more detail in character development would have gone far to remedy this.The conclusion of the book - the arrest of Ossietsky (a vocal opponent of the Nazis), the family split (as, indeed Berlin would be for the next 50 years) was bitter-sweet and poignant, the concluding panels showing the tremendous destruction of Berlin following the war, the wall, the "change", and Potsdam Platz at the turn of the 21st century. I love Berlin, and clearly so does Lutes. While the graphic novel has some serious shortcomings, it is, I think a fitting closing to the series.

Though if Lutes had followed through with the large of cast of characters in the same level of detail as the first two books, he might have wound up in the same bind as George RR Martin. Instead, he let them fade out.

I have literally been waiting years for the publication of this last installment his trilogy. The first two volumes were fascinating; this last one is a perfect conclusion. I have a great deal of personal interest and understanding of the time and place he portrays, and his presentation of it is spot-on accurate in all respects and wonderfully illustrated. The characters in this novel--both fictional and historical--come vividly alive. Lutes' work is yet another great example of the creative heights that have been achieved recently in the graphic novel genre.

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Get Free Ebook , by Genevieve Woods

Get Free Ebook , by Genevieve Woods

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, by Genevieve Woods

Product details

File Size: 2005 KB

Print Length: 225 pages

Page Numbers Source ISBN: 1519545061

Simultaneous Device Usage: Unlimited

Publisher: GDWOODSBOOKS Media and Publishing; 2 edition (November 29, 2015)

Publication Date: November 29, 2015

Sold by: Amazon Digital Services LLC

Language: English

ASIN: B016SKWXH8

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Amazon Best Sellers Rank:

#396,206 Paid in Kindle Store (See Top 100 Paid in Kindle Store)

I read this book in one setting. Yes it came with different characters and was fast-paced. However the scriptures and the spirituality was outstanding. I love there Pastor in the Liberty Fellowship Church. He get's up reads his scripture, preaches his word and opens the door for those to heal. Benjamin G. Adams and Camille James are our primary couple. Benjamin Adam's mother Ms. Ellen hosts Sunday dinner every Sunday after church to the lost, needy, neighbors and family. Sitting around the dinner table and communicating with family is a lost gem in the 21st century. Benjamin took one look at Camille and knew he found his Eve then she got hit by a drunk driver. This story line surrounds co-workers an close friends surrounding Benjamin and Camille. The love, the honesty the realistic story line had me hooked. Intimacy, growth, trust, suspenseful, fast paced and intriguing. Loved this story-line and the plot. Time to finish the series.

Loved it! The story was well-written, fun and engaging. It flowed easily, detailing how relationships are tested. It was easy to visualize the different scenes in the story. Problems emerged and yes, the struggles are real. At times, I thought I had it all figured out, but no, the situation changed, and here comes a curve ball. The relationship between Benjamin and Camille was simply touching and romantic. Kevin and Paige’s relationship needs a whole book, if you catch my drift. Oh, Paige!!! And then, there was Karen and Frankie with a relationship like no other. All I can say is, oh wow.The author did an excellent job showcasing these diverse characters and their issues. Their personal battles were grueling but I was encouraged by their journeys toward forgiveness and restoration. It was clear that when we don’t deal with past issues they become giants in our lives. The few sermons throughout the book were sound and inspirational. This story a good display of faith at work, and the importance of having a relationship with God.Can’t wait to read the next book in the series. Great job, Genevieve Woods! Highly recommended. Grab your copy!

This book is not only a captivating book to read, but is full of excellent advice! This is why I thoroughly enjoy Gene Woods' books. Some of my favorites are: "resist temptation by setting limits"; "Don't stir up or awaken love, until it pleases"; "seeking after earthly things, instead of seeking Your will". I especially like: "...the praise & worship team...breaking up the fallow ground with their ministry of songs. Their songs planted the seed for today's Word." I will think differently about worship, although I already love the worship time! It's hard to pick one favorite character, because I love how the author has woven them all together! You MUST google the song "All I'll Ever Ask." I read this out of order, but each book of this series can stand on its own. This book should speak to everyone and well worth reading!

I'm new to Genevieve Woods books. There was a lot going on but once I started reading it, I couldn't put it down. Benjamin and Camille had serious issues along with their family and friends, but GOD. Love at first sight, it does happen! I did know what was going to happen next. At times, I was like are you kidding me??? I was sad when it ended, but glad for another series after this one. I will read more of your books!! Genevieve you are added to my list of Authors whose books that I read!

Ben blew me away with that prayer. Okay, I had to mention that first. A man who prays for his future wife is the only man to marry in my book. When Camille was hit my the car, it was so suspenseful and shocking.You know the book is good when secondary characters have a place in your heart. Kevin and Paige easily became my favorite set with their differences and I rooted for them all the way to the end. I loved the cookie scene.There's drama throughout. Dead girlfriend's who have too much hold on the living and more. This is a very good story to read.

I was introduced to this author on FB. I read the first book in the series and wanted more, so I bought the next one, and the next, and the next one. I'll try some of her other books. I enjoyed her writing style. It was easy and the characters were relatable. I believe I completed the series within two weeks.

Upon beginning this series, I felt that it was the typical story of Love At 1st sight, but upon completion I realized that it was so much more! To me it was a story about RELATIONSHIPS (with God, between friends and that as lovers). I liked the way the author dealt with the myriad issues couples, family and friends deal with in their relationships (hurt, grief, abandonment, belittling, contempt, etc.) and how she used the Word of God to relay a message to the reader of hope and restoration! The characters are all relatable and I can't wait to read "After Church" to find out if Benjamin and Camille make it to the altar.

Powerful story with some real home hitting points. The come to life opportunities of worshipping with friends and family brings this all full circle to the fact of a family that prays together stays together and blood doesn't always have to be apparent to do so.

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Download The Hidden Origins of Islam: New Research into Its Early History

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The Hidden Origins of Islam: New Research into Its Early History

The Hidden Origins of Islam: New Research into Its Early History


The Hidden Origins of Islam: New Research into Its Early History


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The Hidden Origins of Islam: New Research into Its Early History

About the Author

Karl-Heinz Ohlig is professor emeritus of Religious Studies and the History of Christianity at the University of the Saarland, chairman of the Inarah Institute for Research into the Early History of Islam and the Qur'an, and the author of many books including Weltreligion Islam: Eine Einführung (Islam as World Religion: An Introduction).Gerd-R. Puin, a retired research associate at the University of the Saarland, is an expert on the historical orthography of the Qur'an.

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Product details

Hardcover: 405 pages

Publisher: Prometheus Books; 1St Edition edition (July 30, 2009)

Language: English

ISBN-10: 1591026342

ISBN-13: 978-1591026341

Product Dimensions:

5.6 x 1.2 x 8.6 inches

Shipping Weight: 1.4 pounds (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

23 customer reviews

Amazon Best Sellers Rank:

#209,159 in Books (See Top 100 in Books)

You have to be able to wade through German scholarship to read these books from Saarland, and be prepared to read or skip over passages written in strange alphabets, but they are much friendlier in English than in the original German! And essential until we get a variorum translation of the Quran that incorporates their research and faces up to its sources on its own. This is a necessary phase to counter Ernst Renan's famous misconception, that Islam was born in the clear light of history. It wasn't. Good guess is that Islam developed from a unitarian heresy after Nicaea made trinitarianism mandatory, and that it created its prophet as part of the necessary backstory. Fascinadting detective work by people with a dozen Middle Eastern languages and familiarity with 1000 years of Byzantine (in all senses) history.

I found this book very valuable one . I enjoyed reading it. Volker Popp's essay is very interesting , providing the theory of Jesus `' The Muhammad. `' connecting it with the last essay on Syriac Christianity by Ohlig and Luxenberg's essay on the Dome of the Rock inscription would make it more interesting. However my Criticism to Popp's essay is, it didn't deal with the materials that talks about Muhammad from non -Muslim sources. Yet The Theory provides important points that needs extra work and clarification in order for it to be more establish in the Scholarly world .The book, in conclusion, is extremely good , and it took the prospective that Muhammad didn't exist. but as I said , it need to answer some question before going further with the theory

Great scholastic reading . A must read for anyone who is very into scholastic Islamic investigation . Very top . Oleg Karl ohlig . Great masterpiece for any investigator of Islam and early Islam and uts roots .

Worth every penny

This book tells of the Christian Background. Disclosure: I read this as part of a History MA, but this book is astounding. Coins from the period after Islam show Islamic symbols showed beside John the Baptist and Jesus, complete with Agnus Dei. Coins use the term Zion as a code as a zionist only would. This book shows that the Qu'ran came to be written nearly 150 years after the death of Muhammad. It also shows a Christian background to early Qu'ranic beliefs.

As a layman, I found the information contained in this book very interesting, particularly in regard to the fact that no historical record exists of any prophet named Muhammad during the period that he supposedly lived. Obviously, any Islamic scholar who has previously just accepted his existence may want to reexamine his or her thoughts on this matter in lieu of this material.As far as the general reader goes, information in many of the chapters is presented in a manner that makes it relatively easy for the layman to understand. However, a few chapters are more difficult as they deal with Arabic and linguistics. Overall, though, this book begins to explain the real origins of Islamic writings while eliciting new questions that require additional scholarly research.

The final result of all this must be left to professional historians, yet some of the facts will simply not go away. Following the historic method of Mommsen, the scholars gathered here present some facts that will make your head hurt.Let me first establish the contrast between "traditional Islamic history" and the facts as they appear on the ground.In "traditional Islamic history," the Khalif Mu'awiyya fought big battles for Islam, and so did his three followers: Abd-el Malik and the rest.Unfortunately, "traditional Islamic history" appears to be a special kind of fiction, because the coins and inscriptions found on the ground make it quite obvious that Mu'awiyya and his three successors had never heard of Muhammad, the Koran, Islam, or the word "Khalif" = "ruler."What is even worse, they were all Christians!Of course, the history of Arab Christianity -- although quite long and interesting -- is not something that modern Muslims like to deal with. On the contrary, as in Egypt, they have implemented stringent controls over education, which forbid the teaching of pre-Islamic Egyptian history, which to my mind was much more interesting than the "post-Islamic" history.As a result of this explosive book, we have to face the possibility that Muhammad never existed, that the Koran was pasted together from Syric-Aramaic Christian sources, and that the whole thing was a bundle of bushwah created to defend the now "Islamic" empire.I don't think you need me to tell you that Muslims will not be "happy" about this book. And I am not qualified to see where all this will go (not being an expert in the partitive gerundial in Syriac.)I would also warn you that this book is Hard. Probably not for beginners.One interesting fact: the collapse of the Sassanian dynasty led to the collapse of Zoroastrianism in Iran. The living religions were Nestorian Christianity and a lot of Buddhism in Eastern Iran.

It is a very interesting history of Islam and I learned a lot about the origins of the religion!

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Free PDF Walt Disney Uncle Scrooge And Donald Duck: "Return to Plain Awful" (The Don Rosa Library Vol. 2) (The Don Rosa Library), by Don Rosa

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Review

“Whether you’re a little kid reading the book for its humorous adventures or a grown-up comics enthusiast availing yourself of a great curated collection, you’ll find Plain Awful to be anything but.” - J. Caleb Mozzocco, School Library Journal“The work itself remains essential: More than 'just' a Barks homage, Rosa carried the Good Duck Artist’s legacy into legitimately new territory, exposing and massaging the pathos and wicked humor at the core of every good nostalgic exercise.” - Tim O'Neil, The A.V. Club“…Rosa is so sincere in his desire to revive Barks's style of adventure and humor it shows in every panel, every detail of his work. He's taking this seriously, folks, and its all there. … Good stuff, sez I.” - Jerry Beck, Cartoon Research“I love [Don Rosa's] body of work. I've bought it multiple times. I'll be happily buying it again when Fantagraphics reprints it this fall. Love, love, love.” - Augie de Blieck Jr., Comic Book Resources“On the short list of comic book creators responsible for genuine masterpieces of the medium, Don Rosa‘s name is pretty darn close to the top. ... In his time on the Ducks, Rosa was responsible for over 80 stories that include some of the best comics of all time...” - Chris Sims, ComicsAlliance“In the handsome reprints of Uncle Scrooge and Donald Duck: The Don Rosa Library, ...cartooning journeyman genius Rosa displays his penchant for turning out issue after issue of globetrotting adventures… The work is more than deserving of a collection centered on the work of a funnybooks auteur…” - Aaron Ragan-Fore, Eugene Weekly“Rosa's comics may be the best comics ever done in the voice of another creator. They're very funny, satisfying yarns, and this presentation -- particularly the color -- is super-handsome. This would have been my favorite book ever at eight years old, and I'm fond of it now.” - Tom Spurgeon, The Comics Reporter“Let me be perfectly clear: The Don Rosa & Carl Barks Duck books are as good as comics get. Period. Nothing surpasses -- only matches -- the pure imagination, humor, adventure, and heart of these Donald Duck & Uncle Scrooge stories.” - Vince Ostrowski, Multiversity Comics

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About the Author

Don Rosa, (born June 29, 1951) lives near Louisville, KY. Famed for his prizewinning Life and Times of Scrooge McDuck, Rosa wrote and drew a whopping two decades’ worth of ripping Scrooge and Donald yarns!

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Product details

Series: The Don Rosa Library (Book 2)

Hardcover: 216 pages

Publisher: Fantagraphics; 1 edition (November 16, 2014)

Language: English

ISBN-10: 1606997807

ISBN-13: 978-1606997802

Product Dimensions:

8.8 x 0.8 x 11.3 inches

Shipping Weight: 2 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

29 customer reviews

Amazon Best Sellers Rank:

#116,791 in Books (See Top 100 in Books)

Ah! Memories.These stories are all from the late eighties, early nineties, and I remember almost all of them (to varying degrees).This time around I enjoy them just as much, and some even more, as the past 20 years has added to my cynicism of the human condition (as satirically portrayed by Ducks, Dogs and Pigs).In fact one of the best Scrooge stories of all time is in this volume, "His Majesty McDuck". It alone is worth the price of the book.But while the content is definately "5 Star", I have only given it "4 Stars" because of the shoddy binding. I bought 2 copies and they both have the same problems. The bottom of the spine is badly buckled, and the cover print is coming unglued from the board binding.

You should buy this Volume set just because it has "On a Silver Platter". Which is one of the greatest comedy comic shorts ever written in my personal opinion! Buy this one and move right on to Vol 3!

Luxurious binding, great paper, vivid colors, author comments, extras. A must have for Don Rosa fans!

Don Rosa has some great stories to tell and this edition is presented very nicely.

Not the Scrooge, Donald, Huey, Dewey and Louie that you think you know from Duck Tales. Good story telling and adventures. Seriously, check them out.

I gave this to my grandson and he likes it so much he keeps rereading it

Brings back memories of my youth. My favorite comic book.

I am a avid collector of Don Rosa, Carl Barks and Patrick Block Disney Ducks art - these reprints are fabulous and very well priced - I have bought all of the FANTAGRAPHICS Disney Ducks and the Floyd Gottfredson Mickey Mouse reprints too. These are highly recommended by SBJ

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Ebook Download Telling Truths in Church: Scandal, Flesh, and Christian Speech, by Mark D. Jordan

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Telling Truths in Church: Scandal, Flesh, and Christian Speech, by Mark D. Jordan

From Publishers Weekly

The secrecy and cover-ups in the priestly pedophilia scandals are a symptom of the Catholic Church's wider suppression of discourse about homosexuality, according to this heartfelt but occasionally tumid book. Gay Catholic theologian Jordan (The Silence of Sodom) argues that the Church "solicits same-sex desire, depends on it, but also denounces it and punishes it." The Church's "ways of silencing disruptive truths" function mainly at the rhetorical level, Jordan feels, where open discussion of the Church and homosexuality gets dismissed by officials as anti-Catholic prejudice or scandal-mongering. In the same vein, Jordan asserts that disputations of homophobic Church doctrines are self-defeating. Instead, gay Catholics should deploy more visceral rhetorical styles-testimonials by gay priests, "provocative analogies" between the Church and secular gay sub-cultures, even satire-to get the Church to acknowledge what Jordan sees as its blatant homoeroticism. The exploration of new discursive modes by gay Catholics can also enrich Church teachings. Gay and lesbian fiction and poetry might clarify Church theology about same-sex unions, while frank consideration of the body (specifically, the genitals) of Christ might lessen "sexual shame" and enlighten Christians about the sanctity of eroticism. Jordan's call for truth-telling about the Church's relationship with homosexuality is provocative, but his insistence that language and rhetorical style matter more than Church doctrine or governance distances him from what many feel are the most crucial issues in that debate. His own discursive style, combining theology with critical theory, wavers between elegance and abstruseness. This feels more like a series of meditations (the book is based on lectures Jordan delivered) than a volume likely to spark productive debate. Copyright 2003 Reed Business Information, Inc.

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Excerpt. © Reprinted by permission. All rights reserved.

Chapter OneTelling Truths in a "Church Crisis" What you are reading began as a series of lectures delivered in Boston a few months into the "Catholic pedophile crisis." The crisis (to stay with that cliché for a moment) was provoked when the Boston Globe reported how the local archdiocese handled priests accused of pedophilia. The topic for my lectures had been set about a year earlier. It brought together questions I had been writing on for a decade. I had no idea that the topic would coincide with such painful months in the history of Boston"s Roman Catholic churches—indeed, of the Catholic Church in America. Still, when the Globe stories began streaming out in early January 2002, I decided to leave the lectures exactly as they were originally conceived. I was convinced that Catholics were obliged especially in those months not only to speak about what had happened, but to try to say how things might be done differently. We were obliged to think precisely about which kinds of truth needed telling and how best they could be told into a "crisis," if they could be told at all. Even under that conviction, delivering the lectures was not easy. Many in the audience were angry and heartsick from the shock of the daily revelations. What would tomorrow"s newscasts bring? Would the priest of their parish or a childhood pastor be the next one exposed? Was the archbishop staying or going? Where was the pope in all of the turmoil? There were darker fears as well. Some people saw the growing press coverage as the latest round of anti-Catholic politics, the Globe"s revenge on not only Cardinal Law but the city"s Irish establishment. Others worried that the crisis revealed the perilous vulnerability of churches to press attack. Others still were overwhelmed just by the suffering—of the boys or young men who had been sexually abused; of their parents and families; of parishioners whose lifelong confidence in their church was bitterly contradicted; of priests who had not committed abuse and were in danger of unjust suspicion; even of the priests who had committed abuse, but who were still human souls in need of forgiveness. I was and was not an outsider in Boston. I didn"t know the archdiocese, but I did know the story. In July 1997, I had watched on local television as a Dallas jury made history. Its members assessed $119.6 million in damages against the Catholic diocese of Dallas for "gross negligence" in failing to discipline a pedophile priest. The judgment set a record for cases of clerical abuse and so earned stories in USA Today and the New York Times. There was even a passing mention by Dan Rather. Like so many Catholics living in Dallas, I had been caught up in the case for weeks. The jury"s finding came in a civil trial of eleven cases involving Fr. Rudy Kos.1 The cases accused Kos of having sex with a number of boys from 1981 through 1992 when they were between nine and sixteen years old. Ten of the plaintiffs identified themselves as victims of Kos"s abuse. The eleventh case was filed by parents of a young man who killed himself in 1992 at the age of twenty-two. In testimony, the young men still alive described various sexual acts that Kos performed on them hundreds of times. (One of the macabre sidelights of the trial was watching the staid local newspaper trying to hint, say, at the mechanics of foot fetishism.) Lawyers for the plaintiffs then showed that the Catholic diocese had been warned of Kos"s activities with boys at least as early as 1985. The Catholic diocese finally sent Rudy Kos for treatment in 1992, but while misleading parishioners about the real reason for his absence. The diocese continued to support Kos for another two years, not least by paying off $25,000 in credit card debt. The issue in the Dallas civil trial was not whether Fr. Rudy Kos had forced sex on the boys. The question was whether the diocese was liable for allowing him to continue doing so. The jury agreed unanimously that the diocese was liable for between 85 and 50 percent of the real and punitive damages in each of the cases. Although the Catholic bishop of Dallas professed deep sorrow over what happened and eventually ordered special prayers and fasts, he wouldn"t, of course, admit that he or any other official had been negligent. Some priests were bolder in defense of clerical privilege. The head of diocesan fund-raising, later removed, suggested that pastors should begin transferring assets to get them beyond reach of a settlement. A former chancellor of the diocese, who failed to act on numerous complaints against Kos, and who was almost cited for contempt of court during the trial, told the Dallas Morning News that the victims" parents were really the ones to blame: "It doesn"t appear they were very concerned about their kids." I watched the verdict live on a local broadcast that scorched July afternoon. There was a fat file of news clippings beside me and tablets full of notes. I had no financial stake in the outcome, but I was caught up in it. I had once taught at a local Catholic university and its affiliated seminary. In my first year there, I taught Rudy Kos. Kos was enrolled in a remedial course designed to cram seminarians with whatever minimum of "Scholastic philosophy" church officials then demanded of future priests. Kos explained that he was taking the course under duress. Eight years older than me, he was struggling to change over from nursing to the dusk-lit labyrinths of Latin theology. His struggles were typical of too many "late vocations"—men who entered inflexible seminaries after starting careers elsewhere. And not only careers. Kos had already been convicted of sexual abuse as a juvenile. The diocese claimed not to have known about it. It did know that Kos got a brief marriage annulled, since the diocese itself managed the annulment procedure. The ex-wife later swore that she had reported that Kos had "a problem with boys." The diocese denied. So, what was new in the "Boston scandal"? There was nothing new in the cases themselves or the archdiocesan response to them. The pattern of abuse and cover-up was queasily familiar. What made Boston different was the extent and persistence of the national press coverage. The Kos case had flickered across the national media, but it remained essentially a local story. The cases in Boston and the responses to them became and stayed national news. Because national coverage lasted so long, the American hierarchy and the Vatican itself were finally compelled to respond. Then both the coverage and the cardinals began shifting the questions toward priestly sexuality in general. Suddenly, there was a huge and serious audience for talk about the number of gay priests in the church and what it might mean. Before the "Boston scandal" began, Catholic bishops didn"t often talk in public about homosexuals in the priesthood. When pushed, they might admit that there were a few of "them"—perhaps "2 percent," certainly fewer per capita than in the general population. By the time the American cardinals were meeting in Rome about pedophilia, the president of the American bishops" conference found himself admitting that it was "an ongoing struggle" to ensure that the priesthood "is not dominated by homosexual men."2 Newsweek devoted several pages of its cover story to "the gay dilemma."3 The coverage shifted for a while from particular cases and responses to institutional distortions. What was new about Boston was that the story was suddenly not just about Boston. It became for some time a scandal about the system of seminary formation and priestly discipline, of official speeches and their anxious silences. The persistence of national press coverage was not all to the good, of course. Much of it was sensationalism. It rehearsed unwittingly the old satirical complaints according to which all priests are gay and (therefore?) sexually voracious. Other publicized debates showed the ignorance of church history that is the bane of the mass media—and of contemporary Catholicism. Splashy graphics on magazine covers or websites asked whether the church could survive, as if the Roman church hadn"t ensured its survival in the face of much more threatening "crises." On the other side, well-groomed defenders of clerical bureaucracy could somehow still assert that the church had always fully cooperated with local authorities. As if the churches hadn"t resisted over centuries any interference of secular authority with priestly discipline—and as if the Vatican weren"t still claiming preemptive jurisdiction of cases involving priestly sexual relations with minors.4 The persistent news coverage reactivated powerful hate speeches inside and outside the Catholic Church. Church officials rolled out familiar accusations against homosexuals not only to legitimize a purge of "out" gay men from the priesthood, but to divert attention from aching institutional failures. Some outside the church got to rehearse the old stereotypes of Catholicism as a cult of idols run by demonic deviants. Everyone got to hear homosexuals repeatedly confused with pedophiles, "molesters," and "perverts." I had my own small role in the coverage, both before and after delivering the lectures in Boston. Sitting in TV studios waiting for a "discussion" or being filmed for a momentary clip on the evening news, I kept wondering how anyone could speak truth into this cacophony. I was grateful to the news coverage for bringing forbidden questions into discussion. I was horrified at what the coverage was doing to our languages for speaking about priestly abuse, its real causes, and its practicable remedies. Before we could get any further, we would have to think more critically and more creatively about how to speak the truths we all professed to want "on the record." I began by remembering the most easily forgotten thing: truth telling is not simple. It is not like the Norman Rockwell painting in which a ruggedly handsome white man, whose plaid collar is literally blue, speaks to the town meeting at his white clapboard church, while other white men, wearing ties, listen in admiration.5 Truth telling isn"t like that. Truth"s speakers don"t often radiate handsome honesty. They are disconcerting and diverse rather than comfortably familiar. They are rarely received with admiring attention. And what they have to say can seem beyond hearing—or bearing. Then I remembered something equally obvious: there are different kinds of truth, and each requires its own ways of speaking and listening. Leaving aside the more spectacular rhetorical flights in the scripted point–counterpoint of the national press, I tried to list the kinds of truths being offered around this scandal. It had begun with truths in files, the truth of documents and legal proceedings. Complaints were filed against a priest, and investigations followed. Settlements were arranged, and then the priest was transferred. These are the sorts of actions documents record, but only in a shorthand punctuated by silences. Some documents are saved, others not. Some letters are full and frank, but other letters are carefully plotted after long conversations that don"t survive in the files. Legal pleadings, depositions, and verdicts are the products of staged recital and negotiated "facts." Documents are traces of events, but they are also elements in an official story. No matter how many revelations they seem to make, documents in personnel files or court records also record decisions not to reveal, to stick by the agreed story. The "Boston scandal" began as well from the memories of abused children and adolescents. News reports tried to capture the content of these memories and to show something of the pathos in them. We have heard the desolate stories told on screens by trembling faces. The truth in them is at once so compelling and so elusive, so urgent and so reticent, that it cannot be captured by tape. The memories are traumatic memories, and trauma chops itself into memory by chopping up memories. I don"t discount the testimonies of abuse as untrue. They are probably the truest words we have heard in the scandal. Still, their truth is not a truth of numbered propositions. It is the truth of an unclosed wound. The scandal turned then toward the truths of institutions, of the regulations, customs, and fictions that enable the Roman church to operate. It has been hard to hold this kind of truth in view for more than a few instants, because so much of the reporting has wanted to hurry past it to policy proposals or predictions of outcomes. Institutional truths are more complicated than single policies or brash predictions, but they are also more important. Complicated and important—how do we begin to describe them? Do we need ethnographers and anthropologists to narrate for us how the cultures of the Catholic priesthood are lived out? Should we turn instead to institutional sociologists or legal historians or cultural critics? If the most hidden truths in the scandal are truths about clerical institutions, what is the expertise that could even begin to tell them? The expertise used to be called "theology." Since the institution in question is not just any human complex but rather a Christian church, and since Christians profess that their churches are not merely human complexes, Christian theology ought to have something to say about how to tell truths in a crisis that now reaches into the core structures of the institution. Yet, theology has been notably absent in the scandal. Some people classified as theologians, including myself, have been invited to speak—in the short snippets required by our media. I"m not sure that what we have spoken is theology. To say that more personally: although I think that I managed to say a few true things about Catholic institutions in the course of dozens of interviews and not a few op-ed pieces, I don"t think that I ever managed to move my words into the realm of theology.6 I understand by theology taking mature responsibility for the indispensable forms of Christian speaking. This shouldn"t mean that theologians usurp responsibility for what others have to say, either by appropriating it or censoring it. The theologian is asked to take responsibility for her or his own speaking in those forms. Responsibility has to be taken in the presence of scriptures and traditions, face to face with the ablest speaking partners, before the challenge of holiness, with a special trust (badly translated as "faith"). It also has to be taken through the indispensable forms. At its best, theology is not divorced from the rest of Christian speech. It is not like a superlanguage that judges every other language. Theology is more like a new grip on language, a more supple and more deliberate handling of it. The theologian takes new responsibility for speaking in the confidence that Christian speech has already been used for proclaiming a revelation, for performing sacraments, and for efficacious prayer. Language has been sanctified. We ought to be able to use it to tell sanctifying truths—which is not the same as telling "the whole truth and nothing but the truth." Taking responsibility for speech requires being especially responsible for its inevitable failures. Sitting on newsroom sets or waiting while reporters typed in what they heard of my hasty responses to rushed questions, I remembered finally that I should have expected special difficulties when trying to speak a few words of theology into a scandal about sex in the priesthood. Sex has always been a nervous preoccupation for Christian speaking. It has provoked some of the angriest theological words, as it has excited some of the most violent theological passions. At the same time, and not coincidentally, sex has seemed to threaten the authority of Christian speaking. Trying to speak truth about a churchly sex scandal—or trying to speak the truth about sex in church—or trying to speak what churches might be after some honesty about what sex is . . . these efforts lead us right to the most awkward tasks of the speech called theology. In the brief chapters following, you will read some parts of the original lectures I delivered in Boston. Mostly, you will find my third or fourth attempt to deliver them better. While rewriting, I have kept the conviviality and casualness of the spoken word.7 You will hear the places where the pressure of the "Boston scandal" pushed on the lecturer and the audience. Most of all, I hope that you can catch an effort to find a way of speaking theology into institutional "crisis." In part, this will mean figuring out how to talk when so much talking has been distorted by the powerful motives of institutions in conflict. For the most part, it will mean searching for ways to enliven the oldest speeches Christians have.

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Product details

Hardcover: 121 pages

Publisher: Beacon Pr (June 1, 2003)

Language: English

ISBN-10: 0807010545

ISBN-13: 978-0807010549

Product Dimensions:

5.8 x 0.5 x 8.8 inches

Shipping Weight: 10.2 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

2 customer reviews

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This review appeared in White Crane Journal #60, Spring 2004The evocative—and provocative—title of this book, almost by itself, calls out to the reader to pick it up and find out what the “truths” are. And the exercise would be more than successful, though it turns out the “truths” Jordan is talking about are not a series of literal propositions, but an attitude to openness to human life--and especially the passion of human life called eros.Mark Jordan is a professor of religion at Emory University in Atlanta. He’s made himself a reputation for challenging naïve assumptions about the veracity of Church teachings, especially about sexuality and homosexuality. His previous book The Silence of Sodom: Homosexuality in Modern Catholicism opened with a meditation on daily life around the Vatican that—truly—should be required reading for all Catholics. In that meditation, Jordan posed the question: what if the Holy Spirit reveals to the Pope and Vatican officials that the Church’s position on homosexuality is in error? How would the Pope or the Cardinals ever manage to bring themselves to talk about this realization during the morning meetings? At every stage, they’d be frightened of revealing too much about themselves (and maybe their previous night’s indulgences). No one would be able to broach the subject.With similar awareness of how the inertia of orthodoxy prevents honest discussion, Telling Truths in Church describes the difficulties of creating modern, sensitive, psychologically aware theologies of sex. And yet it is incumbent on the Church to do so; changes in culture, developments in reproductive biology, not to mention scandals involving priestly sexual behavior, require religious institutions to evolve and update the expressions of doctrine. And yet they are generally loathe to do so. And, in fact, usually satisfy themselves with reiterating what they claim to be age-old, immutable orthodox truths. The condemnation of modern homosexuality is a standard in this enterprise. Now the one man-one woman theology of Christian marriage has become another. Yet the “truth” is that the styles of marriage have changed dramatically over the thousands of years of Judeo-Christian practice. And Jesus himself was hardly an advocate of heterosexuality and the modern nuclear family.This brief, but packed, little book is based on a series of lectures Jordan gave at Boston University, and the rhetorical style sometimes shines through most pleasantly. You can almost him the passion and innocence in the author’s (gay male) voice behind the written words. Coincidentally, the priestly pedophilia crisis, starting in Boston, broke just shortly before these lectures were to be delivered. Telling truths in—and about—the church suddenly took on new meaning. Pedophilia and gay marriage are major examples of how Church “truths” are shaped and sometimes corrupted to fit political realities. The Church, after all, has its own survival and organizational maintenance to look out for. We’ve all observed how blaming the homosexuals is a convenient way to redirect attention.Jordan’s discussions of these issues are fresh and insightful. He generally avoids the political and theological rhetoric, observing that the usual arguments obscure the actual human and personal issues involved. He writes, for instance, of the two men or two women who come to the Church to seek and declare God’s blessing on their commitment to one another, only to be turned away because of political strategies and institutional quarrels that have nothing to do with the love and faithfulness the two of them feel and trive to strengthen. (Jordan makes the astringent observation that it is not the priest or pastor today who determines the style and iconography of marriage, but rather the wedding planner, followed closely by the photographer, florist, and caterer.)Perhaps the most interesting section of the book is a treatise on “apophatic theology,” that is, the tradition that nothing can really be said in total truth about God and God’s reality because anything about God is necessarily beyond human thought. Talk about God is really always talk about humans and their concerns and conflicts.Frankly, I’d go a step further than Mark Jordan does and challenge the “lies” the Church and religion tells about the factuality of religious doctrines, especially afterlife. Threats of hellfire are used to manipulate human behavior in ways that our modern psychological awareness now shows us are truly morbid and crazy-making. The suicide bombers in Israel who think they’ve earned their way to deflower seventy virgins is but a notably contemporary example. The homosexuals burned at the stake down the centuries must not be forgotten when we evaluate the “truth” of Christian teaching. But most importantly delaying “heaven” till after death is literally closing the gates to the realization of divine presence in this life here and now that Jesus had tried so hard to open.This is a lovely book. It—truly—got me thinking. It’s challenging, but eminently readable. You’re likely to come away from it wishing you’d had a pastor more like Mark Jordan.Reviewed by Toby Johnson, author of Gay Spirituality: Gay Identity and the Transformation of Human Consciousness, The Myth of the Great Secret: An Appreciation of Joseph Campbell and other novels and books

To those who have not yet read it, Mark D. Jordan's "Telling Truths in Church" may seem like a reaction to (or even an exploitation of) the Catholic Church scandals revolving around priestly abuse and its cover-up. But in fact, Jordan's slim but crucially important volume is actually the transcript of a series of essays that were prepared before the scandals started to hit the media.This is not to state, however, that the scandals have nothing to do with the topics Jordan addresses. It is Jordan's contention that speech in the Christian churches (and Jordan refers not only to the Catholic Church but to other Christian churches) has become narrowed and self-censored in such a way that it has seriously compromised the Churches' ability to speak truthfully about people's lives and faith experiences.In a series of essays, Jordan discusses several topics: Church reform, Christian marriage, the practice of theology, and Jesus Christ as a fully human and sexual being. Jordan asserts that the Churches fail in speaking truthfully about these topics, and also that the Churches try to silence or discourage additional points of view that speak to the range of human experiences not addressed in "official" speech. To put it more simply, current Church talk doesn't give us the whole story, and it's up to us as people of faith to speak up and fill in the missing pieces.Jordan's book is full of insights and observations that make it ideal for public discussion or private, prayerful reflection. The book is particularly important in an age when the task of theology is often misunderstood: some Church authorities, with the current emphasis on "obedience," feel theologians should supply believers with authoritative propositions to be memorized, rather than questions to help guide our reflection on God's mystery. As Jordan states in the concluding essay, "obedience [should] mean not that you take as true whatever you are told, but that you commit yourself to consider carefully what is said to you." In other words, the lived practice of theology--the process of "telling truths"--becomes a loving task for all believers, not just for leaders who think they have all the answers!

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Free Download King Lear (Shakespeare Classics Graphic Novels), by Gareth Hinds

Free Download King Lear (Shakespeare Classics Graphic Novels), by Gareth Hinds

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King Lear (Shakespeare Classics Graphic Novels), by Gareth Hinds

King Lear (Shakespeare Classics Graphic Novels), by Gareth Hinds


King Lear (Shakespeare Classics Graphic Novels), by Gareth Hinds


Free Download King Lear (Shakespeare Classics Graphic Novels), by Gareth Hinds

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King Lear (Shakespeare Classics Graphic Novels), by Gareth Hinds

About the Author

Gareth Hinds says he sees the graphic novel form as "a perfect bridge between the printed word and theatrical performance." He lives in New York City and writes graphic novels full-time.

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Product details

Age Range: 12 - 17 years

Grade Level: 7 - 9

Series: Shakespeare Classics Graphic Novels

Paperback: 128 pages

Publisher: Candlewick; First Candlewick Edition edition (October 13, 2009)

Language: English

ISBN-10: 0763643440

ISBN-13: 978-0763643447

Product Dimensions:

7.9 x 0.4 x 10.9 inches

Shipping Weight: 1.2 pounds (View shipping rates and policies)

Average Customer Review:

3.9 out of 5 stars

9 customer reviews

Amazon Best Sellers Rank:

#121,904 in Books (See Top 100 in Books)

I'm so glad my professor assigned this, it helped me understand the play better and introduced me to graphic novels.

What a great job communicating this masterpiece.

My son loved this graphic version of King Lear, and was lucky to have it signed by the author, who visited his school!I highly recommend all of Gareth Hinds graphic novels.

Excellent introduction for middle school or reluctant high school students.

King Lear, derived from the legend of Leir of Britain, a mythological pre- Roman Celtic king, was one of William Shakespeare most famous tragedies.This dismal story is about a king who descends into madness when his life transforms from good to bad fortune due to his own misjudgment and we largely see how betrayal and revenge ensue throughout the kingdom.The story begins with King Lear deciding to divide up his realm amongst his three daughters. His two oldest daughters Goneril and Regan flatter him and are given their portion while the youngest daughter Cordelia does not resort to conniving and is disinherited and her portion split amongst the other two.To make a lengthy play much briefer I'll only hint at some of the scenes.After the defeat of the invading French army, Cordelia and Lear are taken, prisoner, meanwhile, sister's Regan and Goneril act in a cruel and capricious manner and eventually, they tussle over the evil Edmund. In a rage, the Duke of Albany ( Goneril's husband) demands that Edmund and Goneril be arrested for treason.Before Edmund is arrested, Edgar shows up and stabs his evil brother, and Goneril poisons Regan prior to committing suicide. Edgar reveals his identity to Gloucester who dies shortly thereafter. Albany and a dying Edmund try to prevent Lear and Cordelia being hanged but are too late for Cordelia. After Cordelia's death, a visibly shaken Lear carries her corpse in his arms.If you are familiar with Shakespeare plays you will know that he uses figurative language and metaphoric reflections.The storm on the heath is a reflection of King Lear's state of mind and also the kingdoms downward spiral of wickedness and despair.I truly appreciate that Hinds creates his imagery for this classic using a medium of technical pen and watercolor as it helps fuse a sense of anarchy.The ink and watercolor appear to be applied initially with lighter value and much of the heavy dialog is intact and included in a myriad of speech balloons. Additional washes are added to show an intensification of color or to strengthen shadows with loose marks.I thought the page where waterdrops are staining the cheeks clever as the speech balloon cascades down and across the page much like a waterfall or tear would. And I found the mixture of lead gray to vibrant red easing into a heavenly blue, tarnishing to a page where we see the wash of dull gray to be crafty.These colors emerge and contribute to our sensing Lear's state of disorder. His anger and torment at the turmoil of what transpired is clearly visible and eventually, we see his acceptance of grief.We know that the deep sorrow of what Lear ensued overwhelmed him for so long - he eventually dies and the kingdom is left to the Duke of Albany and Edgar to preside over.

I only needed this for class

King Lear is a tale about a king who is slowly descendinginto madness. The King decides to divide his kingdombetween his three daughters, but instead of splitting thekingdom equally, Lear uses a more unique way. Lear tellshis daughters whoever loves him the most will get thelargest part of the kingdom. Goneril and Regan both telltheir father that they love him more than anything in theworld, while Cordelia answers the question honestly,enraging her father. The stage is now set for the schemesand plotting for old King Lear's throne.Shakespeare's plays are hard to read as normal plays. ReadingKing Lear in graphic novel format was much easier. Even though someof the speeches were shortened in the novel, it still hadthe Shakespearen feel. The artwork in King Lear is ratherstunning. It shows the setting and reflects King Lear'sstate of mind. It is also easy to identify characters bythe colors given to them in their clothing. I feel thatreading King Lear is much easier to read in this formatthan reading it from a book.Reviewed by a young adult student reviewerFlamingnet Book ReviewsTeen books reviewed by teen reviewers

Shakespeare is, of course, the backbone of many literary studies. But is there a way to add something fresh and new to the works of the ancient bard? Gareth Hinds has created the graphic novel interpretation of one of Shakespeare's greatest plays, KING LEAR.Although the presentation may be unique, the story holds true. The great king is dividing his realm. Three daughters will receive three portions, but each must prove herself worthy.Lear's sanity is in question as he makes his demands known. The raging king could very well destroy his kingdom as he tests his descendants' loyalties.The talent of Gareth Hinds is clearly evident in this graphic-style depiction of KING LEAR. The plot comes through loud and clear as each drawing captures both characters and emotion that words alone on the page often miss. Readers who find Shakespeare a difficult read might want to give this creative presentation a try.Reviewed by: Sally Kruger, aka "Readingjunky"

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